天人合一:感物美学的哲学根基

发布时间：2018-04-17 10:05

本文选题：天人合一 + 感物　；参考：《社会科学辑刊》2017年06期

【摘要】：感物是中国古典美学的一个极其重要的范畴,它的产生是天人合一的化育,它的理论的生长也应归因于天人合一的涵养。感应是天人合一的核心意涵。天人合一观念中的天地万物一气贯通、相互感应的理论,成为感物美学的理论基石。感物兴情是物在先,情在后,物引发了情的发生。托物寓情是情在先,物在后,情寻物去寄托。它们都离不开天人合一这一哲学基础。离开古老的天人合一,我们无法认识感物美学的实质。
[Abstract]:Sensibility is an extremely important category in Chinese classical aesthetics. Its production is the combination of nature and man, and the growth of its theory should also be attributed to the conserving of the unity of nature and man.Induction is the core meaning of the unity of man and nature.The theory of "heaven and earth" in the concept of unity of nature and man has become the theoretical foundation of sense-matter aesthetics.Feeling and feeling is the first thing in the first, after the feelings, things triggered the occurrence of feelings.The emotion is the first thing, the thing is after, the feeling seeks the thing to place the sustenance.They are inseparable from the philosophical basis of the unity of man and nature.Without the ancient unity of man and nature, we cannot understand the essence of sensual aesthetics.
【作者单位】：深圳大学美学与文艺批评研究院;
【基金】：国家社会科学基金项目(14BZW034)
【分类号】：B83-092

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