胡塞尔现象学对美学研究的影响

发布时间：2018-04-20 05:29

本文选题：胡塞尔 + 现象学　；参考：《山东大学》2006年硕士论文

【摘要】：一般认为，胡塞尔现象学和整个现象学运动的创立是以《逻辑研究》一、二卷的发表(1900—1901年)为标志。其后的一百年来，胡塞尔的现象学思想影响了整个西方思想界的走向，，其在与各种不同传统思想碰撞中，展现出了巨大的活力。但这不并是说，现象学思想对我们已经是纯然自明的了。恰恰相反，现象学对我们而言依然是那些最难理解的西方思想中的一支。尤其是当人们把胡塞尔的现象学思想带入到美学的研究领域中，就会发现，现象学美学的提法虽然已经出现在了现象学产生的最初年头里，但直到今天，在理解现象学美学这个问题上仍然存在着重大分歧。为何同时受惠于胡塞尔的现象学，产生出的美学思想差异会如此巨大?茵伽登、海德格尔等到底在什么地方受惠于胡塞尔现象学?他们是如何继承和批判胡塞尔思想的?这都是本文所要讨论的问题，本文立足于胡塞尔三本基本著作《逻辑研究》、《内时间意识现象学》、《经验与判断》，分别讨论意向性、视域和生活世界这三个胡塞尔思想的基本部分以及茵伽登、海德格尔和伽达默尔对其继承和批判。前言的第一部分对胡塞尔的生平和其学术思想做一简要介绍，以便使读者对胡塞尔本人有一个比较多面地了解。第二部分主要是讨论在胡塞尔现象学这个问题上，人们产生多样化理解的几种可能原因。第一章主要讨论美学研究的困境以及胡塞尔现象学对美学研究可能带来的影响。第二章主要讨论意向性理论的基本内容以及茵伽登在美学领域对其的发展。第三部分主要讨论由内时间意识所引出的视域理论以及这种视域理论对伽达默尔的解释学产生的重要影响。第四部分主要讨论胡塞尔后期生活世界理论以及其与海德格尔艺术作品论的相通之处。
[Abstract]:It is generally believed that the foundation of Husserl's phenomenology and the whole phenomenological movement was marked by the publication of volumes I and II (1900-1901). In the next hundred years Husserl's phenomenological thought influenced the trend of the whole western ideological circle and showed great vitality in the collision with various traditional thoughts. But this does not mean that phenomenological ideas are self-evident to us. On the contrary, phenomenology is still one of the most difficult Western ideas to understand. Especially when people bring Husserl's phenomenological thought into the field of aesthetic research, we will find that although the formulation of phenomenological aesthetics has already appeared in the initial years of phenomenology, it is still today. There are still major differences in understanding phenomenological aesthetics. Why, at the same time, from Husserl's phenomenology, the difference in aesthetic thought is so great? Where did Ingadden and Heidegger benefit from Husserl's phenomenology? How did they inherit and criticize Husserl's thought? This paper is based on three basic works of Husserl, "Logic Research", "Phenomenology of Internal time consciousness", "experience and judgment", and discusses intentionality, respectively. The three basic parts of Husserl's thought, the horizon and the world of life, are inherited and criticized by Ingadden, Heidegger and Gadamer. The first part of the preface gives a brief introduction to Husserl's life and his academic thought in order to make readers have a better understanding of Husserl himself. The second part mainly discusses several possible causes of diverse understanding in Husserl's phenomenology. The first chapter mainly discusses the dilemma of aesthetic research and the possible influence of Husserl's phenomenology on aesthetic research. The second chapter mainly discusses the basic content of intentionality theory and the development of Ingadden in the field of aesthetics. The third part mainly discusses the theory of horizon derived from internal time consciousness and its important influence on Gadamer's hermeneutics. The fourth part mainly discusses Husserl's later life world theory and its similarities with Heidegger's works of art.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：B83-09

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