存在一种审美的生活吗——趣味、审美判断和公共生活

发布时间：2018-04-21 03:00

本文选题：审美判断力 + 审美经验　；参考：《中州学刊》2009年01期

【摘要】：在当代中国学术格局的演进过程中,美学研究的重要性日益凸显。继20世纪50年代、80年代的两次"美学热"之后,我们似乎正在迎来第三次美学热潮,其确切意义目前尚难以估量。一方面这表征着当代文化人的学术自觉;另一方面,这也是消费时代的必然选择——感性化、肉身性的生存状态本是美学关注的重心所在。然而,一个不容讳言的事实是,当代美学研究却存在着视野褊狭与对象泛滥这两大误区。前者使得相关学术著作沉溺于概念的游戏,在知识论中兜圈子;后者的结果更是使某些学者动辄将自己的写作命名曰"某某美学",全然无视学科本身的边界与范围。实际上,所有这些误区都源于我们对美学的原初意义的忽略——美学本是一种极富意义的生活方式,一种奠基于生活世界的、在自由创造中存身的生命状态。正是基于以上认识,我们组织了这一组文章,尝试从不同角度揭橥、阐发美学的原初内涵,希望能裨益于当下学术界的美学思考。
[Abstract]:In the evolution of contemporary Chinese academic structure, the importance of aesthetic research has become increasingly prominent. After two "esthetics craze" in the 1950s and 1980s, we seem to be ushered in the third aesthetic boom, the exact significance of which is still difficult to estimate. On the one hand, this represents the academic consciousness of contemporary cultural people; on the other hand, it is also the inevitable choice of consumption era-sensibility, the existence of the physical state is the focus of aesthetic attention. However, it is an undeniable fact that there are two misunderstandings in contemporary aesthetic studies: narrow vision and overflowing objects. The former makes the related academic works indulge in the game of concept and circle in the theory of knowledge; the result of the latter is that some scholars often name their writing "some aesthetics", completely ignoring the boundaries and scope of the subject itself. In fact, all these misunderstandings stem from our neglect of the original meaning of aesthetics-aesthetics is a very meaningful way of life, a life state founded on the life world and existing in the free creation. It is based on the above understanding that we organized this group of articles and tried to reveal the original connotation of aesthetics from different angles in the hope that it could benefit the aesthetic thinking in the current academic circles.
【作者单位】：海南大学人文传播学院;
【分类号】：B834

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