韦尔施美学的“审美化”概念

发布时间：2018-05-07 23:04

本文选题：韦尔施美学 + 日常生活审美化　；参考：《烟台大学学报(哲学社会科学版)》2007年02期

【摘要】：在当前关于日常生活审美化的讨论中,德国后现代美学家沃尔夫冈.韦尔施的名字出现频率较高,他的理论被当作肯定或倡导日常生活审美化的西方权威而受到高度重视。然而韦尔施对日常生活审美化所采取的态度是批判性的,他的理论不仅不能为中国美学当前严重的实用主义倾向提供任何证明,相反,我们看到了他对伦理学和认识论等纵深层次审美化的论证。“审美化”概念涉及到韦尔施美学的审美中断、盲点文化、艺术的双重结构和重构美学等问题;作为比照,我们同时也看到了中西“后学”之间的真正差距。
[Abstract]:In the current discussion of the aesthetics of everyday life, German postmodern aesthetician Wolfgang. Versch's name appears frequently and his theory is regarded as the western authority to affirm or advocate the aesthetic of daily life. But Versch's approach to the aesthetic of everyday life is critical, and not only does his theory not provide any proof of the current serious pragmatism of Chinese aesthetics, but, on the contrary, We see his argumentation of ethics and epistemology. The concept of "aestheticization" involves the aesthetic interruption, blind spot culture, the double structure of art and the reconstruction of aesthetics, etc. As a contrast, we also see the real gap between Chinese and Western "post-learning".
【作者单位】：首都师范大学文学院
【分类号】：B83-06

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