李泽厚后期实践美学的理论价值、文化意义与美学史地位

发布时间：2018-05-11 22:13

本文选题：李泽厚 + 实践美学　；参考：《湖北大学学报(哲学社会科学版)》2017年01期

【摘要】：李泽厚在后期建立起以人类学本体论哲学为基础的"主体性实践美学"体系,这既是一种"哲学美学",也是一种"马克思主义美学",更是一种"人类学本体论的美学"。作为一种与当时国内"思想解放"的文化氛围有着高度契合的人文思想,它适时地引领和促进了1980年代的文化启蒙、人性解放和命运反思;而作为中西思想文化对话交融的产物,它也得到世界美学权威的认可,为21世纪人类把握自己命运、为中国文化的世界传播以及中西文化的深入对话提供了可能。尽管一直受到学界的诸多质疑和批评,但值得肯定的是,它超越了"西方美学在中国"的特定框架,开创了现代"中国美学"独特的话语谱系,奠定了中国当代美学学科的建构基础和发展方向,培养和影响了一大批美学研究者,在现代中国美学史上占有重要地位。
[Abstract]:Li Zehou established a system of "subjective practical aesthetics" based on anthropological ontological philosophy, which is not only a "philosophical aesthetics", but also a "Marxist aesthetics", but also an "anthropological ontology aesthetics". As a kind of humanism thought which is in accord with the cultural atmosphere of ideological emancipation at that time, it leads and promotes the cultural enlightenment, the liberation of humanity and the introspection of destiny in the 1980s. As a product of the dialogue between Chinese and Western ideology and culture, it has also been recognized by the world aesthetic authority, which provides the possibility for human beings to grasp their own destiny in the 21st century, for the world spread of Chinese culture and for the in-depth dialogue between Chinese and western cultures. Although it has been questioned and criticized by many scholars all the time, it is worth affirming that it transcends the specific framework of "Western aesthetics in China" and creates a unique discourse pedigree of modern "Chinese aesthetics". It has laid the foundation and development direction of Chinese contemporary aesthetics subject, cultivated and influenced a large number of aesthetic researchers, and played an important role in the history of modern Chinese aesthetics.
【作者单位】：安庆师范大学文学院;
【基金】：国家社会科学基金重大资助项目:12&ZD111 安徽省哲学社会科学规划青年资助项目:AHSKQ2014D102 安徽省高校优秀青年人才支持计划重点资助项目:gxyq ZD2016203
【分类号】：B83-0

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