道家美学中“和”范畴的审美生成

发布时间：2018-05-13 02:22

本文选题：道家美学 + “和”范畴　；参考：《社会科学家》2010年06期

【摘要】："和"是中国古代文化中一个核心的概念。从生成论的观点来看",和"范畴有个源起和不断演进的过程。"和"的概念起源之初就有一定的审美趋向,诸子时代,儒、道、墨等诸家对其涵义进行了哲理意义的阐发。儒家论"和",则重于伦理政治的角度,重点讲"人和"。道家论"和",多以气言,强调调平阴阳之气以及人与自然之间的和谐,重点讲"天和",强调只有恪守天性,排除外物杂念的烦扰的专注,才能达于生命精神之"和"的极至,体现了人与自然之和谐的价值取向,反映出人类对自然和谐与生命和谐的审美追求。魏晋玄学在道家"和"观念的基础上,融会儒、佛、墨等各家对"和"的涵义的阐发,将其广泛地运用于文学艺术领域,而赋予其丰富而深刻的审美内涵,"和"观念作为一种审美范畴得以确立。
[Abstract]:Harmony is a core concept in ancient Chinese culture. From the point of view of generative theory, "the category of harmony has a process of origin and evolution." The concept of "he" had a certain aesthetic tendency at the beginning of its origin. During the period of the philosophers, Confucianism, Taoism, Mohist and other schools expounded the meaning of "he". The Confucian theory of "harmony" is more important than the point of view of ethics and politics, with emphasis on "human harmony". The Taoist theory of "harmony" emphasizes the harmony between man and nature by leveling the spirit of yin and yang, stresses that only by adhering to nature and eliminating the distractions of foreign things, can the "harmony" of the spirit of life be reached. It reflects the value orientation of harmony between man and nature and the aesthetic pursuit of harmony of nature and life. On the basis of Taoism and Taoism, the metaphysics of Wei and Jin combined Confucianism, Buddhism, Mohism and other schools to explain the meaning of "he", and applied it widely in the field of literature and art. With its rich and profound aesthetic connotation, the concept of harmony as an aesthetic category has been established.
【作者单位】：湖南工业大学文学与新闻传播学院;上海财经大学人文学院;
【分类号】：B223.1;B83-02

【共引文献】