关于美学方法、学科定位及审美价值的几点浅识——兼向陆梅林、朱立元先生请教

发布时间：2018-05-13 21:50

本文选题：“美的规律” + 审美价值　；参考：《学术月刊》1998年05期

【摘要】：正1997年12期《学术月刊》刊载的朱立元先生大作《对马克思关于“美的规律”论述的几点思考》,对1997年1期《文艺研究》发表的陆梅林先生《（巴黎手稿）美学思想探微》一文提出了商榷意见。无论陆先生对《巴黎手稿》译文的重新校译、诠释,还是朱先生对陆先生美学观点的置疑,放到当下的美学学术环境中都十分珍贵。这表明,我国美学界一批中老年美学家依然在坚守美学阵地。众所周知,美学危机是个世界性的话题。早在本世纪初,西方“许多智力过人的学者都已放弃了对美的本质的思考”,认为“美学注定具有悲剧的色彩”。而随着后现代解构主义的兴起,在当代西方,传统美学的悲剧命运也已宣告结束;各种美学体系已被解构成语言的碎片了。在20年纪下半叶依然能保持繁荣的中国当代美学,能否避免这一危机,这已是摆在各美学派别面前的共同课题,也是美学界所共同面临的严峻挑战。
[Abstract]:Zhu Liyuan's masterpiece "some thoughts on Marx's discussion on the Law of Beauty", published in the 1997 12 issues of the monthly academic Journal, and Mr. Lu Meilin's "(Paris manuscript) Aesthetics", published in 1997 "the study of Literature and Art" Want to probe into "the article put forward the discussion opinion." Whether Mr. Lu's reinterpretation of the translation of the Paris manuscripts or Zhu's doubts about Mr. Lu's aesthetic views are very valuable in the present aesthetic academic environment. This indicates that a group of middle-and-aged aestheticians in Chinese aesthetic circles are still sticking to the aesthetic position. As we all know, aesthetic crisis is a worldwide topic. As early as the beginning of this century, "many intellectual scholars in the West have given up their thinking on the essence of beauty", saying that "aesthetics is destined to have a tragic color". With the rise of post-modern deconstructionism, the tragic fate of traditional aesthetics has also come to an end in the contemporary West, and various aesthetic systems have been broken into pieces of language. Whether the Chinese contemporary aesthetics, which can still maintain prosperity in the second half of the 20th century, can avoid this crisis, is a common subject in front of all aesthetic schools, and is also a severe challenge faced by the aesthetic circles.
【作者单位】：青岛市社会科学院
【分类号】：B83-06

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