宏智正觉关于“游”的美学思想初探

发布时间：2018-05-16 09:31

本文选题：禅宗美学思想 + “游”　；参考：《学术月刊》1996年08期

【摘要】：正中国禅宗美学,自六祖慧能奠定根基,洪州宗石头宗大力弘扬与发展,而导致五家七宗的各具形态的美学思想,丰富和发展了禅宗美学。随着禅宗思想开始走向衰微的漫长历程,禅宗美学思想亦陷于停顿状态,大多重复前人而少创新。两宋之际,沩仰、法眼、云门三宗,已相继衰微甚至销声匿迹,而临济、曹洞二宗却各自出现了一位中兴人物,这就是临济宗大慧宗杲禅师与曹洞宗宏智正觉禅师。他们不仅在禅宗思想上有所创新,在禅
[Abstract]:Since the sixth ancestor Huineng laid the foundation, the Hongzhou stone sect vigorously promoted and developed, which led to the five families and seven zongzong aesthetic thought with each form, enriched and developed the Zen aesthetics. With the beginning of the long process of the decline of Zen thought, the Zen aesthetic thought also came to a standstill, most of them repeated their predecessors and seldom innovated. At the time of the Song Dynasty, Wei Yang, Legan and Yunmen had declined or disappeared one after another, but in Linji, Cao Donger had a ZTE figure, which was the Zen Master of Da Hui Zong Gao and the Hongzhi Zheng Zen Master of Cao Dongzong. They are not only innovative in Zen thinking, but also in Zen.
【作者单位】：四川自贡师范专科学校
【分类号】：B83-09

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