忘——即自的超越

发布时间：2018-05-21 00:41

本文选题：忘 + 自的超越　；参考：《西南民族学院学报(哲学社会科学版)》1999年06期

【摘要】：“忘”是中国古典美学重要的方法论范畴。“忘”是人的一种生存状态，是心灵的自由解放，是不脱离感性的超越——即自的超越，它并非一时一地短暂的审美活动所产生的愉悦，而是整个的人生彻底转换为一种审美化。这不仅是在哲学上成为游道、体道、见道，成就人生理想境界的重要途径与方法，也是在美学上形成审美态度，建构审美心胸，，创造艺术精品，趋近审美本体，成就审美境界的重要途径与方法。本文从“中西哲学的两种向度”、“从审美态度到审美境界”、“技进乎道”等方面作了论证与分析
[Abstract]:Forgetting is an important methodological category in Chinese classical aesthetics. "forget" is a living state of human beings, the free liberation of the soul, the transcendence not separated from the sensual transcendence, that is, the transcendence of the self, and it is not the pleasure produced by the temporary aesthetic activities. But the whole life is completely transformed into a kind of aesthetic. This is not only an important way and method to realize the ideal realm of life in philosophy, but also to form aesthetic attitude, to construct aesthetic mind, to create fine works of art and to approach aesthetic ontology. The important way and method of achieving aesthetic state. In this paper, the author makes a demonstration and analysis from "the two directions of Chinese and Western philosophy", "from aesthetic attitude to aesthetic realm", "the technique advances into the Tao" and so on.
【作者单位】：四川师范大学文学院四川师范大学文学院
【分类号】：B83-0

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