“境界”与“趣味”:王国维、梁启超人生美学旨趣比较

发布时间：2018-05-25 20:22

本文选题：境界 + 趣味　；参考：《学术月刊》2012年08期

【摘要】："境界"和"趣味"作为王国维梁启超美学思想的核心范畴,开启了中国现代美学理论诉求与人生诉求相谐的致思路径,发扬了中国美学融审美艺术人生为一体的精神传统。从生命之欲到静观到无我,王国维的"境界"最终回到了生命之欲不可消、人生之苦不可解、艺术与审美终不能拯救人生的审美救世之悖论中;而从生命之力到迸合到化我,梁启超的"趣味"则将人生审美推向了春意蕴溢的超拔之境,既是诗意的也是乌托邦的。两种人生美学旨趣呈现了民族美学和谐蕴藉的人生情致在中国现代的演化与分化、深入与拓展,是中国现代人生美学精神自觉的重要始源。特别是梁启超之后,经朱光潜、宗白华等的丰富发扬,远功利而入世的趣味化诗性精神蔚成中国现代美学精神之主脉,聚焦为人生艺术化等命题。这种追求现实生存与人生超越相统一的诗性张力品格,跳出了王国维式的纠结,在今天这个实利化、技术化的时代有着独特而重要的价值。
[Abstract]:As the core category of Wang Guowei Liang Qichao's aesthetic thought, "realm" and "interest" have opened the way of harmonious thinking between the theoretical demands of modern Chinese aesthetics and the demands of life, and carried forward the spiritual tradition that Chinese aesthetics combines aesthetic art and life as an integral whole. From the desire of life to the contemplation of life to the absence of self, Wang Guowei's "realm" finally returns to the paradox that the desire of life is irrevocable, the suffering of life cannot be solved, and that art and aesthetics cannot ultimately save life's aesthetic salvation; and from the power of life to the power of life, to the transformation of me, Liang Qichao's "taste" pushes the aesthetic of life to the realm of superfluous meaning of spring, which is both poetic and utopian. The two kinds of aesthetic purport of life present the evolution and differentiation of the harmony of national aesthetics in Chinese modern life, and it is the important source of Chinese modern life aesthetic spirit consciousness. Especially after Liang Qichao, through the rich development of Zhu Guangqian and Zong Baihua, the interesting poetic spirit of far utilitarian and entering WTO becomes the main vein of Chinese modern aesthetic spirit, and focuses on the proposition of artistry in life. This kind of poetic tension character, which pursues the unity of realistic existence and transcendence of life, jumps out of the entanglement of Wang Guowei style and has a unique and important value in the age of materialization and technicalization.
【作者单位】：浙江理工大学美学与艺术理论中心;
【基金】：浙江省提升地方高校办学水平专项——浙江理工大学“美学—艺术学理论学科建设”项目(XK1115-003-S)的阶段性成果
【分类号】：B83-09

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