论20世纪中国马克思主义美学发展的三个阶段

发布时间：2018-06-13 06:47

本文选题：世纪马克思主义美学 + 三个阶段　；参考：《山东社会科学》2007年10期

【摘要】：20世纪中国马克思主义美学的发展,主要经历了三个阶段。20世纪初期至40年代中期为艺术论美学阶段,马克思主义文艺理论家们运用马克思主义的立场、观点和方法,对文艺与生活、文艺与政治、文艺的服务对象、文艺的内容与形式、文艺的继承与发展等问题作出了新的解答。40年代中期至50年代初期为认识论美学阶段,其代表人物蔡仪建立了崭新的唯物主义美学体系,从客观论的角度研究了美的本质问题,从认识论的角度回答了美感问题,从反映论的角度探讨了艺术问题。50年代中期至90年代为实践论美学阶段,其代表人物是李泽厚、蒋孔阳,他们以马克思《1844年经济学哲学手稿》为共同的理论资源,以马克思主义实践观为哲学基础,提出了美的本质是客观性与社会性的统一,美感是历史积淀与社会实践的产物,并对艺术中的形象思维和典型创造进行了深入研究。
[Abstract]:The development of Chinese Marxist aesthetics in the 20th century mainly experienced three stages. From the early 20th century to the mid-1940s, Marxist literary and art theorists used Marxist standpoint, viewpoints and methods. This paper gives a new solution to the problems of literature and life, literature and politics, the object of service, the content and form of literature and art, the inheritance and development of literature and art, and so on. From the mid-1940s to the early 1950s, it is the stage of epistemological aesthetics. His representative, Cai Yi, has established a new aesthetic system of materialism, studied the essence of beauty from the perspective of objectivity, and answered the question of aesthetic feeling from the perspective of epistemology. From the perspective of the theory of reflection, this paper discusses the art problem from the mid-1950s to the 1990s as the stage of practical aesthetics, whose representative characters are Li Zehou and Jiang Kongyang, who take Marx's manuscripts of Economics and philosophy in 1844 as the common theoretical resources. Based on the Marxist view of practice, this paper puts forward that the essence of beauty is the unity of objectivity and sociality, the aesthetic feeling is the product of historical accumulation and social practice, and studies deeply the image thinking and typical creation in art.
【作者单位】：湘潭大学文学与新闻学院
【基金】：国家社会科学基金项目的阶段性成果,项目编号:06BZW005。
【分类号】：B83

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