中国文学忧患意识的文化审美阐释

发布时间：2018-06-15 05:04

本文选题：中国文学 + 忧患意识　；参考：《学术月刊》1993年04期

【摘要】：正对中国文学的忧患意识进行文化审美阐释,将会发现,忧患意识始终是贯穿在中国文学发展中的一条红线。尤其是中国文学忧患意识本身所特有的文化意蕴和美感包容力,大大强化了以忧为美的民族审美心理,拓展了中国文学表现内容的审美空间,使得诸如忧国忧民、悲天悯人、相思怀故、失意别离等丰富的人生内容,均可以在融入忧患的情愫中加以抒发和表露。不仅如此,忧患意识还构成了中国文学独特的忧患主题系统,使得中国文学包含的内容和意蕴,丰富而深厚,沉郁而感人。因此,认真地对中国文学的忧患意识进行文化审美阐释,将对于整
[Abstract]:It will be found that the consciousness of suffering is always a red line running through the development of Chinese literature. In particular, the unique cultural implication and aesthetic tolerance of the sense of distress in Chinese literature have greatly strengthened the national aesthetic psychology of the beauty of worry, expanded the aesthetic space of the content of Chinese literature, and made people worried about the country and the people, so that they can sympathize with the people. The rich contents of life, such as lovesickness, disappointment and separation, can be expressed and revealed in the feelings of anxiety. Not only that, but also the consciousness of suffering constitutes a unique subject system of distress in Chinese literature, which makes the contents and implications of Chinese literature rich and profound, melancholy and touching. Therefore, a serious cultural aesthetic interpretation of the sense of distress in Chinese literature will be of great significance to the whole.

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