“诗—礼—乐”与美学学科形态

发布时间：2018-06-18 01:29

本文选题：诗礼乐 + 学科形态　；参考：《文艺理论研究》2012年04期

【摘要】：美学是西方文化的学科,且从属其哲学体系,曰:"哲学之美学";在中土文化中没有此等学科,因中西文化属异质文化,故既无此等哲学,更无此等美学。若在观念形态之对应性上寻求,那只有礼乐文化中之"乐"学。西方美学成为一门对峙于逻辑学的学科,虽是由鲍姆嘉通确立,但其久远的总根源却是柏拉图"理型论"中之"美本体",与亚里士多德四因说中之"形式"审美论。西方文化是逐物文化,对"物"("存在"之直观性)之追根求源,极为审察(本体论/形而上学即是),故极重物之根系的存在形态。理型论可谓根系之"独体结构",四因说可谓根系之"联体结构"。据于前者,以明唯有根深才能体大(高大),故"全部西方哲学皆是其注脚";据于后者,以明唯有根系宽广,形姿才能婆娑,故"摹仿论概念在西方雄霸了两千余年"。此是其抽象式之颖思,若移至中土而论学,由前者则必然指向由圣人汇聚而来之德性总根系,由后者则必然指向儒家建构心性哲学之三联式(兴于诗—立于礼—成于乐)。故中土之乐学,必依经学精神(圣人之德性精神)为总根源,以"诗—礼—乐"之联体流程为建构范式。
[Abstract]:Aesthetics is the discipline of western culture and is subordinate to its philosophical system, saying: "Aesthetics of philosophy"; there is no such discipline in Middle Earth culture, because Chinese and Western cultures belong to different cultures, so there is neither such philosophy nor such aesthetics. If we seek the correspondence of the idealistic form, we can only learn the music in the culture of etiquette and music. Western aesthetics has become a discipline that confronts logic, although it was established by Baumjiatong, but its long ago general root is Plato's "beauty ontology" in "the theory of rationalism" and the aesthetic theory of "form" in Aristotle's theory of "four causes". The western culture is the material culture, seeking the root of the "thing" (the intuition of "being"), and examining the root system of the extremely heavy object (ontology / metaphysics). The theory of physical type can be described as the "single structure" of the root system, and the "conjoined structure" of the root system. According to the former, only the deep roots of the Ming Dynasty can make the body big (tall and tall, so "all western philosophy is its footnotes"); according to the latter, the Ming Dynasty only has a broad root system, and the shape and posture can dance, so "the concept of imitation theory has been dominant in the West for more than two thousand years." This is its abstract thinking. If it moves to the middle earth and studies, the former must point to the total root system of virtue that comes from the gathering of saints, and the latter inevitably points to the triple style of Confucian philosophy of constructing mental nature. Therefore, the study of music in China must be based on the spirit of Confucian classics (the spirit of virtue of saints) as the overall root, with the combination of "poem-ritual-music" as the construction paradigm.
【作者单位】：广东湛江师范学院"康德-牟宗三"研究所;
【分类号】：B83

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