上巳节的民俗审美内涵与生命美学

发布时间：2018-06-18 23:47

  本文选题：上巳节 + 民俗审美　； 参考：《中南民族大学学报(人文社会科学版)》2010年02期

【摘要】：上巳节产生于春秋,兴于两汉,盛于魏晋,宋后逐渐融入清明节。上巳节的民俗审美活动起源于万物有灵基础上的巫术思维,其内涵是古代民众对于延续后代和避免灾祸的渴望和对于人性自由的美的追求。上巳节的民俗审美内涵与生命美学具有契合点,即人这一民俗主体对精神自由的生命审美追求。通过对二者的交叉研究,可以从更深层的视野对民俗活动和审美活动进行考察,从而为民俗美学的理论建设提供一个崭新的视角。
[Abstract]:Shangsi Festival came into being in Spring and Autumn period, rising in Han Dynasty, flourishing in Wei and Jin dynasties, and gradually merged into Ching Ming Festival after Song Dynasty. The folk aesthetic activities of Shangsi Festival originated from the thinking of witchcraft on the basis of animism. Its connotation is the desire of the ancient people to carry on future generations and avoid disasters and the pursuit of the beauty of human freedom. The aesthetic connotation of folk custom in Shangsi Festival has the same point with the aesthetics of life, that is, the subject of folk custom pursues the life aesthetic of spiritual freedom. Through the cross-study of the two, we can investigate folklore activities and aesthetic activities from a deeper perspective, thus providing a new perspective for the theoretical construction of folklore aesthetics.
【作者单位】： 中央民族大学文学与新闻传播学院;
【分类号】：B83-069
，

本文编号：2037331