当代城市美学形象塑造与文化传播

发布时间：2018-06-28 16:42

本文选题：城市美学形象 + 城市符号　；参考：《四川师范大学》2013年硕士论文

【摘要】：随着全球化和城市化进程的加快，城市美学形象塑造与文化建设的竞争成为世界城市竞争的主要内容，因此，城市美学形象的塑造问题自然刻不容缓地提到了各地城市建设的战略规划高度。所谓城市美学形象，主要包括城市理念、行为和视觉等三大系统，城市的核心形象是城市美学形象中最具有区别性的特质，集中了一座城市自然资源和人文资源的精华。就所指意义上看，城市美学形象是一座城市的核心审美价值之所在，为一个客体存在，供主体通过感官来进行审美判断。从符号学来理解，每一座城市都是一种内在系统发达的独特的审美符号，讨论一座城市的符号美学意义，即是从审美文化的视域来审视该城市的核心审美价值及审美文化特征。城市美学形象是城市符号能指作用于受众的感官体验而形成的整体感知和综合评价。城市美学形象的塑造，既是基于一定地域特点的物质体系构建，又是基于特定审美文化传承的精神体系构建，由此以使受众达成审美认知上的认同和心灵上的共鸣。城市之所以可以成为人们的精神家园，，可以成为人们灵魂的居所，那是因为每个城市都拥有着自己的独特的美学形象。本文通过成都样本的审美文化研究，探究作为成都城市美学核心形象标识的太阳神鸟所承载的“开放包容、活力无限”的城市美学精神特质；关注成都城市美学自然历史审美文化符号中所呈现的地域特色美学意象，如“天府之国”、“休闲之都”、“美食天堂”中所蕴含的临危不乱、以柔克刚的城市美学精神；关注成都城市美学中“世界田园城市”、“诗意的栖居”等人居理念所蕴含的哲学价值和美学价值。符号作为一种信息，要传播给受众，因而，城市美学形象塑造的过程既可以看作是一个符号化的过程，又看作是一个信息化的传播过程。城市美学形象塑造和传播过程是相互交融的，是蕴藉于城市美学的建构与发展流程之中的。
[Abstract]:With the acceleration of globalization and urbanization, the competition between urban aesthetic image and cultural construction has become the main content of the world's urban competition. The problem of shaping the urban aesthetic image is of great urgency to the strategic planning of urban construction all over the world. The so-called urban aesthetic image mainly includes three systems: urban concept, behavior and vision. The core image of the city is the most distinctive characteristic of the urban aesthetic image, which concentrates the essence of a city's natural resources and human resources. In the sense of meaning, the aesthetic image of a city is the core aesthetic value of a city, and it is the existence of an object, which provides the subject with aesthetic judgment through the senses. From the perspective of semiotics, every city is a unique aesthetic symbol with developed internal system. To discuss the symbolic aesthetic significance of a city is to examine the core aesthetic value and aesthetic cultural characteristics of the city from the perspective of aesthetic culture. Urban aesthetic image is the overall perception and comprehensive evaluation formed by the sensual experience of the urban symbol signifier acting on the audience. The shaping of urban aesthetic image is not only based on the construction of material system with certain regional characteristics, but also on the spiritual system of the inheritance of specific aesthetic culture, so as to enable the audience to achieve aesthetic cognitive identity and spiritual resonance. The reason why the city can become people's spiritual home, can become the residence of people's soul, that is because each city has its own unique aesthetic image. Through the study of the aesthetic culture of Chengdu sample, this paper explores the urban aesthetic spirit characteristic of the sun god bird, which is the core image of Chengdu city aesthetics. Pay attention to the region characteristic esthetics image in the natural history esthetic culture symbol of Chengdu city aesthetics, such as "the land of abundance", "the leisure capital", "the food paradise" contained in the crisis, not chaos, the city esthetics spirit of softness; Attention is paid to the philosophical value and aesthetic value of human settlements such as "world idyllic city" and "poetic dwelling" in Chengdu's urban aesthetics. As a kind of information, the symbol should be transmitted to the audience. Therefore, the process of shaping the city aesthetic image can be regarded as a process of symbolization as well as a process of information dissemination. The process of shaping and spreading the image of urban aesthetics is intermingled with each other and is embedded in the process of construction and development of urban aesthetics.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：B834.2

【参考文献】