中国美学之尚“微”审美意识及其学理渊源

发布时间：2018-06-29 15:43

本文选题：尚“微”审美意识 + 言不尽意　；参考：《四川师范大学》2017年硕士论文

【摘要】：中国美学具有一种尚“微”审美意识。这种尚“微”审美意识在中国美学思想中占据着重要的地位,体现着中国美学的精神特色。在中国美学看来,精巧、秀丽、典雅、飘逸中蕴藉着一种不可名状的“小”、“微”、“精”、“细”之美,这种“美”本质上是一种至大至纯之美,只可意会不可言说。因此,唯有“小中见大”的审美呈现形态,才能表无限于有限。受尚“微”审美意识的影响,在中国美学看来,在艺术呈现形态方面,不在于大,而更在于小中见大,微中显精,愈小而大。精微的艺术形态,玲珑剔透,惟妙惟肖,往往可将宇宙大千收于纤毫之间,诠释着审美者自己的人生,虚实相映,挥洒自然,细腻精粹,如神来之笔,心到、意到、细心、静心,是审美者瞬间心境对宇宙生命及其内涵体悟的呈现。基于此,本论文四个部分,从中国美学尚“微”意识与“言意”说、尚“微”审美意识的特性与表征、“微”之审美意旨辨析、尚“微”审美意识的学理渊渊源等方面着手,以考察与阐释中国美学尚“微”审美意识,对其中所涉及到“言不尽意”、“微言大义”、“以小喻大”、“言近旨远”、“微尘大千”、“传神写意”、“言简意赅”、“微言精义”、“微文深诋”、“微显阐幽”等命题与“道”论,进行深入解读,通过此,企望对尚“微”审美意识有一个更加清晰的认识,并致使尚“微”审美意识在当今具有中国特色的美学体系建构中得以进一步发扬。
[Abstract]:Chinese aesthetics has a kind of "micro" aesthetic consciousness. This aesthetic consciousness occupies an important position in Chinese aesthetic thought and embodies the spiritual characteristics of Chinese aesthetics. In Chinese aesthetics, delicacy, beauty, elegance and elegance contain an indescribable beauty of "small", "micro", "fine" and "fine". Therefore, only the aesthetic appearance of "small and medium-sized" can express infinity in the limited. Influenced by the aesthetic consciousness of "micro", in the view of Chinese aesthetics, the form of artistic presentation lies not in the big, but in the small and medium, the smaller and the bigger. Exquisite artistic form, exquisite, vivid and vivid, can often close the universe between the big thousand, interpretation of the aesthetic of their own life, unreal reflection, showering nature, exquisite essence, such as the pen of God, heart, meaning, careful, Meditation is the appearance of the aesthetic instant state of mind to the cosmic life and its connotation. Based on this, the four parts of this paper, from the aspects of Chinese aesthetics, such as "micro-consciousness" and "speech and meaning", the characteristics and representations of aesthetic consciousness of "micro-", the aesthetic intention of" micro-", the origin of "micro-" aesthetic consciousness, etc. In order to investigate and explain the aesthetic consciousness of "micro" in Chinese aesthetics, it is concerned with "the meaning of speech is not enough", "the meaning of small words", "big with small metaphors", "great purport", "small dust", "freehand brushwork", "concise and comprehensive". The propositions and the theory of Tao, such as "fine speech", "slight scorn", "micro-exuberance and seclusion" and "Tao", are interpreted in depth. Through this, we hope to have a clearer understanding of the aesthetic consciousness that is still "micro". It also leads to the further development of "micro" aesthetic consciousness in the construction of aesthetic system with Chinese characteristics.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：B83-092

【参考文献】