意象创构论美学的理论体系与反思

发布时间：2018-06-30 18:47

本文选题：意象创构论美学 + 体系　；参考：《社会科学家》2012年02期

【摘要】：意象不仅是传统美学的重要命题,也是现代美学的核心范畴。从王国维的境界说开始,经过朱光潜的情趣说与宗白华艺术境界的阐释,以及蒋孔阳先生的"美在创造中""多层累的突创"等实践创造论美学,汪裕雄的审美意象学,夏之放的艺术意象元范畴说,顾祖钊、童庆炳的文学形象三至境之一论的发展,至朱志荣形成了比较系统的意象创构论美学。意象创构论美学由表层的本体论、构成论、创构论、特征论、风格论五大板块与深层的生命论构成,并通过天人合一的思维方式与超感性的思维方式,将表层的意象创造与内在的生命价值进行了有效沟通,既使得意象的艺术创构有了生命的灵动而有了价值的根基,又使得生命意识因艺术意象的介入而获得了感性的形式,使得意象的感形式与生命意识获得了统一与融合。
[Abstract]:Image is not only the important proposition of traditional aesthetics, but also the core category of modern aesthetics. Starting from the theory of Wang Guowei's realm, through the interpretation of Zhu Guangqian's theory of taste and Zong Baihua's artistic realm, and the practical creation aesthetics such as Mr. Jiang Kongyang's "Beauty in creation" and "multi-tiring creation", Wang Yuxiong's aesthetic imagism. Xia Zhifang's theory of artistic image meta-category, Gu Zuzhao and Tong Qingbing's theory of "three solids" of literary image developed, and Zhu Zhirong formed a more systematic aesthetics of image creation theory. The aesthetics of image creation theory consists of five parts: surface ontology, constitution theory, creation theory, characteristic theory, style theory and the deep theory of life, and through the mode of thinking in harmony between nature and man and the mode of super perceptual thinking. The creation of the surface image and the inner value of life are communicated effectively, which not only makes the artistic creation of the image have the foundation of the value of life, but also makes the consciousness of life obtain the perceptual form because of the involvement of the artistic image. It makes the sense form of image and life consciousness to be unified and integrated.
【作者单位】：南京晓庄学院文学院;
【分类号】：B83-0

【共引文献】