论“阴阳两仪”思想范式的美学意涵

发布时间：2018-07-01 17:09

本文选题：阴阳两仪 + 思想范式　；参考：《华中师范大学学报(人文社会科学版)》2007年03期

【摘要】：在东方文化和美学观念中,“阴阳两仪”是一个极其重要的理论范畴和文化命题。它所反映的不仅仅是一种东方式、中国式的宇宙观念和人生哲学,而且也反映了一种东方式、中国式的美学思想范式。其美学意涵主要有四:一是“耦两”美观念,即强调在相反相对的两种矛盾因素之间思考美、创造美;二是“中和”美意识,即讲究在两两相对的矛盾因素之间实现均衡持中、不偏不倚的和谐之美。其核心范畴是“中”。三是“刚柔”美理想,既讲究阳刚与阴柔这两种审美理想之间的相成相济,又有偏重阴柔之美的趋向。四是“虚实”美境界,在阴与虚、阳与实的对应中,既强调虚与实之间的互用相生,又讲究以虚为体、以实为用,从而推动“意境”美学理论走向成熟。
[Abstract]:In oriental culture and aesthetics, "Yin and Yang" is an extremely important theoretical category and cultural proposition. It reflects not only a kind of eastern way, Chinese concept of universe and philosophy of life, but also a kind of eastern way, Chinese style of aesthetic thought paradigm. There are four main aesthetic implications: first, the concept of "coupling two" beauty, that is, emphasizing on thinking about beauty and creating beauty between opposite and opposite contradictory factors; second, "neutralizing" the sense of beauty, that is, paying attention to achieving balance between two opposite contradictory factors. The beauty of unbiased harmony. Its core category is "middle". The third is the ideal of "rigid and soft" beauty, which not only emphasizes the complementary of masculine and feminine aesthetic ideals, but also tends to emphasize the beauty of yin and softness. Fourthly, the beauty realm of "deficiency and reality", in the correspondence of Yin and deficiency, Yang and reality, not only emphasizes the mutual use of deficiency and reality, but also stresses the essence as the body and the reality as the use, thus promoting the maturity of the aesthetic theory of "artistic conception".
【作者单位】：山东大学文学与新闻传播学院
【分类号】：B83

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