现代性视野内梁启超的“社会美学”——兼与齐美尔的“社会美学”比较

发布时间：2018-08-18 08:57

【摘要】：以"现代性"的视野,来重新审视梁启超的美学思想,并将之定位为一种特殊性的"社会美学",这与齐美尔的"社会美学"具有异曲同工之妙。梁启超的"社会美学"呈现出了一种"现代性"的气质,但又深受中国古典文化的浸渍。这表现在他一方面倡导提升生活的"趣味主义",另一方面又注重改造"国民性"的启蒙问题,其中,联通这两方面的中介环节,就是视趣味为一种"信仰"。所以,梁启超始终强调自己的人生观的基础一是"责任心",二是"兴味"。前者既来自儒家的社会关怀传统,又深受现代启蒙精神的影响,后者既来自中国古典的生命艺术化传统,又适度吸收了审美主义的要素。
[Abstract]:From the perspective of modernity, this paper re-examines Liang Qichao's aesthetic thought and regards it as a special kind of "social aesthetics", which is similar to Zimmer's "Social Aesthetics". Liang Qichao's "Social Aesthetics" presents a "modernity" temperament, but is deeply impregnated by Chinese classical culture. On the one hand, he advocates the "interest doctrine" of improving life, on the other hand, he pays attention to the enlightenment problem of reforming "national character". Among them, the intermediary link between these two aspects is to regard interest as a kind of "belief". Therefore, Liang Qichao has always emphasized that his outlook on life is based on a sense of responsibility and an interest. The former comes from the Confucian tradition of social care and is influenced by the spirit of modern enlightenment. The latter comes from the Chinese classical tradition of life art and moderately absorbs the elements of aestheticism.
【作者单位】：中国社会科学院哲学所美学室;中华美学学会;辽宁师范大学计算机与信息技术学院教育技术教研室;
【分类号】：B834.4

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