利奥塔德叙事美学与消费社会叙事
发布时间：2018-09-17 20:21
【摘要】：后现代主义思想家利奥塔德在批判用绝对之标准去界定一切差异将统一所有的话语的现代“元叙事”时曾宣明主张,所谓“元叙事”这一理论化的美学核心概念,作为黑格尔的美学思辩思维哲学的必然产物,以及自由解放的“宏大叙事”理论化结构空间,体现为人性的解放其实也是一种“宏大叙事”,这让人们在创作中崇尚社会公共领域中的公正、正义,关注和揭示社会政治压迫,关注弱小群体的命运,追求社会理想以及社会解放等等。简言之,所有与政治、社会、公共、群体、阶级、集团甚至是精神、道德相关的题材与主题的美学叙事,都可以被称为“宏大叙事”的叙事范式,虽然有的叙事体现为一种不真实的、虚伪的表象性叙事,但它都体现为一种书写自我、个人化特性、以及与个人化特性相关的人体、欲望、梦幻、记忆、潜意识的真正意义上的个人化写作。利奥塔德这种新的美学叙事批评话语语境,使得当代社会的自20世纪80年代延续下来的消费主义批评风格日益变得不可理喻了。这对于消费社会单个的个人化感悟、反思或者狂躁的激烈言说,已经不再是美学叙事的合理化方式了。
[Abstract]:In criticizing the modern "meta-narration" in which all differences will unify all discourses by absolute criteria, the postmodernist thinker Leottad declared that the so-called "meta-narrative" is the core aesthetic concept of theorization. As the inevitable product of Hegel's philosophical thinking and the theorized space of "grand narration", the liberation of human nature is also a kind of "grand narrative". This makes people advocate the justice and justice in the social public sphere in their creation, pay attention to and reveal the social political oppression, pay attention to the fate of the weak groups, pursue the social ideal and social liberation, and so on. In short, all aesthetic narratives of subjects and themes related to politics, society, public, group, class, group and even spirit and morality can be called the narrative paradigm of "grand narration". Although some narratives are untrue and hypocritical, they are embodied in the writing of the self, the personality, and the human body, desire, dream, memory associated with the personality. Personal writing in the true sense of the subconscious. The new discourse context of aesthetic narrative criticism in Leotta makes the consumerism criticism style of contemporary society which has continued since the 1980s to be unreasonable day by day. It is no longer a rational way of aesthetic narration for individual perception, introspection or manic talk in consumer society.
【作者单位】：
【分类号】：B83-02
，
本文编号：2246986
[Abstract]:In criticizing the modern "meta-narration" in which all differences will unify all discourses by absolute criteria, the postmodernist thinker Leottad declared that the so-called "meta-narrative" is the core aesthetic concept of theorization. As the inevitable product of Hegel's philosophical thinking and the theorized space of "grand narration", the liberation of human nature is also a kind of "grand narrative". This makes people advocate the justice and justice in the social public sphere in their creation, pay attention to and reveal the social political oppression, pay attention to the fate of the weak groups, pursue the social ideal and social liberation, and so on. In short, all aesthetic narratives of subjects and themes related to politics, society, public, group, class, group and even spirit and morality can be called the narrative paradigm of "grand narration". Although some narratives are untrue and hypocritical, they are embodied in the writing of the self, the personality, and the human body, desire, dream, memory associated with the personality. Personal writing in the true sense of the subconscious. The new discourse context of aesthetic narrative criticism in Leotta makes the consumerism criticism style of contemporary society which has continued since the 1980s to be unreasonable day by day. It is no longer a rational way of aesthetic narration for individual perception, introspection or manic talk in consumer society.
【作者单位】：
【分类号】：B83-02
，
本文编号：2246986
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