西方语境下的中国美学发展
[Abstract]:Chinese aesthetics, as an independent discipline, has gradually developed in the context of western aesthetics. After the initial period of acceptance of Wang Guowei, Liang Qichao, Cai Yuanpei, and so on, then to the period of integration of the two, It has always been developed in the western context, and finally its discipline system was established in the great discussion of aesthetics after the founding of the people's Republic of China. We believe that the development of Chinese aesthetics should be the construction of contemporary aesthetics with Chinese characteristics. This kind of aesthetics should be an aesthetic form constructed under the guidance of Marxist aesthetics, on the basis of Chinese traditional aesthetic thought and by reference to western aesthetics. Marxist practical aesthetics is not only an organic part of western aesthetics, but also an aesthetic form with affinity with Chinese traditional aesthetics. The contemporary aesthetics with Chinese characteristics should also be guided by Marxist practical aesthetics, which formed the Chinese school of practical aesthetics. The shortcomings and shortcomings of practical aesthetics tell us that the construction of contemporary aesthetics with Chinese characteristics can not be separated from the foundation and soil of Chinese traditional aesthetic thought. Intuitionistic perception of integrity, harmony between nature and man, absorption of western aesthetics of beauty and true unity of science, rational analysis of logic, separation of nature and man from each other, overcoming their shortcomings and shortcomings, and the construction of contemporary aesthetics with Chinese characteristics. New practical aesthetics is one of the contemporary aesthetics with Chinese characteristics.
【作者单位】: 华中师范大学文学院;
【分类号】:B83
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