梁宗岱美学思想研究

发布时间：2018-10-30 07:50

【摘要】： 梁宗岱是中国现代象征主义诗论大家,然而他的美学思想没有得到学界的足够重视。本论文将其置于二十世纪上半叶的文化语境中,通过与现代美学家的比较来揭示其美学思想的独特性及历史地位。本论文注重对梁宗岱文本著作地细读,同时在现有的学术研究成果的基础上,试图以新的研究视角考察二十世纪上半叶中国美学的学术走向,并以此来定位梁宗岱在其中的位置。中国现代学术领域中的科玄之争导致了现代学者不同的学术选择。科学方法注重现实世界的研究,强调经验与实证;而哲学方法注重本体世界的诠释,关注理性与直觉。论文以此为研究进路考察梁宗岱的学术选择及美学思想的哲学特征。在研究过程中,文化学的方法是本论文的主要研究方法,论文试图以此来揭示梁宗岱美学思想的文化取向。此外,论文中还相应地运用了现象学与解释学的方法。在进行论证的过程中,影响研究与比较研究的方法也是论文的主要方法,通过前者来考察梁宗岱美学思想的来源,通过后者以揭示其理论特征。本论文共分为三大部分。第一部分为绪论。这部分内容阐述了梁宗岱美学思想的研究意义、研究现状及研究方法。第二部分共分五章,是论文的主体部分。第一章主要论述了梁宗岱的文化人格与学术思想。这一章揭示了梁宗岱多向度的人生发展轨迹。此外,还分析了其科学思想及哲学思想。文章试图通过这两方面的研究考察其对梁宗岱美学思想的影响。第二章主要讨论梁宗岱宇宙本体论哲学体系及其审美意境论。这一章首先考察了梁宗岱美学思想的哲学特征。其后,通过比较来揭示其意境理论与现代哲学家和美学家的不同。第三章主要探讨梁宗岱的美感理论,并进一步揭示其理论的哲学特征。这一章采用比较的方法,将梁宗岱美感理论的哲学特征与现代哲学进行比较,试图揭示其美感理论的现代性特征。第四章主要分析梁宗岱诗歌文艺美学思想。研究内容体现为三个方面:纯诗论的分析,揭示了现代诗坛由“主情化”到“主智化”的审美趣味的变化;诗歌形式论的分析试图说明梁宗岱所谈的形式是“有意味的形式”;艺术美的分析着重说明了梁宗岱的“智慧底力”的崇高美学风格及“气韵生动”论的审美实践意义。第五章着重分析梁宗岱文艺批评的逻辑特征与审美特性。论文通过前者分析了梁宗岱审美批评实践中的逻辑特征,通过后者说明其审美体验特征。第六章总结梁宗岱美学思想的贡献、局限及现实启发。第三部分为结束语。这部分内容是从梁宗岱美学研究中引发出来的对于中国当代美学的现实思考。
[Abstract]:Liang Zongdai is a poetics of modern symbolism in China, but his aesthetic thought has not been paid enough attention to. This paper puts it in the cultural context of the first half of the twentieth century and reveals the uniqueness and historical status of its aesthetic thought by comparing it with modern aestheticians. This thesis focuses on the detailed reading of Liang Zongdai's works, and on the basis of the existing academic research results, attempts to examine the academic trend of Chinese aesthetics in the first half of the twentieth century from a new perspective. And with this to locate Liang Zongdai in one of the position. The controversy of science and metaphysics in modern Chinese academic field leads to different academic choices of modern scholars. The scientific method pays attention to the research of the real world, emphasizing the experience and the demonstration, while the philosophical method pays attention to the interpretation of the ontology world, and to the rationality and intuition. This paper studies Liang Zongdai's academic choice and the philosophical characteristics of his aesthetic thoughts. In the process of research, the method of culturology is the main research method of this thesis, and the thesis tries to reveal the cultural orientation of Liang Zongdai's aesthetic thought. In addition, the methods of phenomenology and hermeneutics are applied accordingly. In the process of argumentation, the methods of influence research and comparative study are also the main methods of the thesis. Through the former, the source of Liang Zongdai's aesthetic thought is investigated, and the latter is used to reveal its theoretical characteristics. This thesis is divided into three parts. The first part is the introduction. This part expounds the significance, research status and research methods of Liang Zongdai's aesthetic thought. The second part is divided into five chapters, which is the main part of the thesis. The first chapter mainly discusses Liang Zongdai's cultural personality and academic thought. This chapter reveals Liang Zongdai's multi-directional development track of life. In addition, it also analyzes its scientific thought and philosophy thought. This paper attempts to examine the influence of these two aspects on Liang Zongdai's aesthetic thought. The second chapter mainly discusses Liang Zongdai universe ontology philosophy system and its aesthetic conception theory. This chapter first examines the philosophical characteristics of Liang Zongdai's aesthetic thought. Then, through comparison, the author reveals the difference between his artistic conception theory and modern philosophers and aestheticians. The third chapter mainly discusses Liang Zongdai's aesthetic theory, and further reveals the philosophical characteristics of his theory. This chapter compares the philosophical characteristics of Liang Zongdai's aesthetic theory with that of modern philosophy, and tries to reveal the modernity of Liang Zongdai's aesthetic theory. The fourth chapter mainly analyzes Liang Zongdai poetry literature and art esthetics thought. The content of the study is embodied in three aspects: the analysis of pure poetry theory reveals the change of aesthetic taste of modern poetry from "subject feeling" to "subject wisdom", and the analysis of poetry form theory tries to explain that the form mentioned by Liang Zongdai is "meaningful form"; The analysis of artistic beauty mainly explains the lofty aesthetic style of Liang Zongdai's "wisdom base force" and the aesthetic practical significance of "vivid charm" theory. Chapter five focuses on the logical and aesthetic characteristics of Liang Zongdai's literary criticism. This paper analyzes the logical characteristics of Liang Zongdai's aesthetic criticism practice through the former, and explains its aesthetic experience characteristics through the latter. Chapter six summarizes the contribution, limitation and realistic inspiration of Liang Zongdai's aesthetic thought. The third part is the conclusion. This part is the realistic thinking about contemporary Chinese aesthetics caused by Liang Zongdai's aesthetic research.
【学位授予单位】：辽宁大学
【学位级别】：博士
【学位授予年份】：2008
【分类号】：B83

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