当前位置:主页 > 文艺论文 > 美学论文 >

中国上古器具观念的哲学发生

发布时间:2018-11-18 06:49
【摘要】:在现代形态的中国美学和艺术史研究中,传统工艺性器具的价值一般分为两种:一是实用,二是审美。但就中国上古器具作为礼器的特性看,它更重要的价值却在于象征。换言之,在中国社会早期,人类制器的目的,绝不仅仅是为了实用和好看,而是要以此为基础引申出更深广的哲学意义。像《周易》的"制器尚象"和孔子的"器以藏礼"之论,均是将器具作为天地人神之思的载体来看待。同时,由于器具价值所展现的哲学性,与此直接相关的器具制作活动也不是一般的技术或艺术劳动,而是包含着对道器和道技关系的深刻省察。这样,对于中国先秦器具及相关制作技艺的哲学研究,就成为对一般美学和艺术学研究的重要深化和拓展。
[Abstract]:In the study of Chinese aesthetics and art history in modern form, the value of traditional craftsmanship is generally divided into two kinds: one is practical, the other is aesthetic. But in terms of the characteristics of ancient Chinese utensils as ritual vessels, its more important value lies in symbolism. In other words, in the early stage of Chinese society, the purpose of the human machine was not only to be practical and good-looking, but also to extend a deeper philosophical meaning. As in the Book of changes, the theory of "making apparatus is still like" and Confucius's "Zang Li" is regarded as the carrier of the thought of God in heaven, earth and man. At the same time, because of the philosophical nature of the appliance value, the instrument making activity directly related to it is not a general technical or artistic labor, but contains a profound examination of the relationship between Tao and Taoism. Thus, the philosophical study of Chinese pre-Qin utensils and related production techniques has become an important deepening and expanding of general aesthetics and art studies.
【作者单位】: 北京师范大学哲学学院;
【基金】:中央高校基本科研业务费专项资金资助项目《传承与弘扬中华美学精神研究》(批准号:SKZZB2015039) 北京舞蹈学院人才强教特聘客座专家计划项目《中国古典乐舞的早期形式与哲学生成》(2016年)
【分类号】:B83-092


本文编号:2339201

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/meixuelunwen/2339201.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户a82b4***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com