智的直觉与审美境界——牟宗三心体论的拱心石

发布时间：2019-01-20 19:47

【摘要】：道德意志自由本体能否"呈现",人对此本体是否具有"智的直觉",是20世纪新儒学理论代表牟宗三与康德对判的中心论题,也是牟宗三新儒学核心之心体论拱心石。这一争论聚焦于心体是否可能以"当下顿现"取代对未来的信仰。牟氏的心体圆顿缺乏实践中介而终究落实于心体自身的审美境界感,并以更为自觉、强烈的现代性时间观批判重构了康德判断力批判。牟氏道德哲学及中国传统心性之学的现代性意义实质是美学性的。牟宗三哲学的美学性质是超出牟氏儒家伦理本位情结并被20世纪中国哲学史与中国美学史均忽视的一大课题。牟氏坚持道德心体超出审美境界的本体"呈现"与"直觉",实际突破了通常囿于艺术形式美与情趣生活美的美学视域而凸显出作为伦理行动的美。牟氏的道德理想主义心体论复现并发展了作为中国儒家美学深层代表的伦理行动美,而中国美学研究长期以道家美学及艺术学研究为主干。牟氏围绕伦理审美境界对心体意向宏大而精微的研究,客观上为20世纪中国美学提供了重要的补充,并成就了一种根基于中国传统的元美学。
[Abstract]:Whether the Noumenon of moral will can be "presented" and whether people have "intellectual intuition" on this Noumenon is the central topic between Mou Zongsan and Kant, the representative of Neo-Confucianism in the 20th century, and also the core of Mou Zongsan's New Confucianism. The debate focuses on whether the mind can replace faith in the future with the present. Mou's heart and body circle lack of practical intermediary and ultimately implemented in the mind body itself aesthetic realm, and with a more conscious, strong critique of modern time reconstruction of Kant's judgment criticism. Mou's moral philosophy and the modern significance of Chinese traditional psychology are aesthetic in nature. The aesthetic nature of Mou Zongsan's philosophy is a major subject which goes beyond the ethical complex of Mou's Confucianism and is ignored by both the history of Chinese philosophy and the history of Chinese aesthetics in the 20th century. Mou insists on the ontology "presentation" and "intuition" of moral mind and body beyond the aesthetic realm, which actually breaks through the aesthetic horizon which is usually confined to the beauty of art form and life and highlights the beauty as an ethical action. Mou's theory of moral idealism reappears and develops the beauty of ethical action as the deep representative of Chinese Confucian aesthetics, while the study of Chinese aesthetics has long been dominated by the study of Taoist aesthetics and art. Mou's great and subtle research on the intention of mind and body around the ethical aesthetic realm objectively provided an important supplement to Chinese aesthetics in the 20th century and achieved a kind of meta-aesthetics based on Chinese tradition.
【作者单位】：陕西师范大学文学院
【分类号】：B83-02

【共引文献】