“在

发布时间：2019-02-23 16:48

【摘要】： 20世纪以来,无论是哲学还是生活的方方面面,都体现了逃离在场的特征,全球化带来的同质性造成了环境场所时间维度的断裂,我们的生活环境及其意义越来越多的被忽视或冷漠。如何摆脱这种“不在场性”,重回在场,“在场”审美经验下的场所营造方式是本文的主要内容。本文从日常生活美学、环境美学提出的“介入式”审美经验、现象学回到原初经验状态的看待事物的方式、中国传统审美经验中的“象思维”几个角度讨论“在场”审美经验的获得。试图建立起一种面对自然的“在场”逻辑,总结“在场”审美经验下的场所特征,从日常生活经验的累积及艺术生活化角度,提出“在场”审美经验下,场所需呈现合理因果关系的、具有连续性的、并关注生活本身的本然状态的场所特征;从环境美学及自然美学的自然观入手,探讨场所中自然形态与人工形态的关系,提出消解人工物在艺术审美经验中的客体性、消融自然形态与人工形态的的界限以营造“在场”的环境感知;最后从现象学以及中国“象思维”的角度,讨论在面对具体创造时,需要投入我们的精神领域,用心体悟事物的“象”,在时间维度上使得对“现在”的意识时间得以延长。本文从以上三个角度探讨了“在场”审美经验下的场所营造方式。
[Abstract]:Since the 20th century, both philosophy and all aspects of life have reflected the characteristics of escaping from the presence. The homogeneity brought about by globalization has resulted in the rupture of the time dimension of the environment. Our living environment and its significance are increasingly ignored or indifferent. How to get rid of this kind of "alibi" and return to the presence, the main content of this paper is how to create the place under the "presence" aesthetic experience. From the aesthetics of daily life and the aesthetics of environment, this paper puts forward the "interventional" aesthetic experience, and the way in which phenomenology returns to the original state of experience. This paper discusses the acquisition of "presence" aesthetic experience from the perspective of "image thinking" in Chinese traditional aesthetic experience. This paper tries to establish a kind of "presence" logic in the face of nature, summarizes the place characteristics of "presence" aesthetic experience, and puts forward the "presence" aesthetic experience from the perspective of accumulation of daily life experience and artistic life. The place needs to present the reasonable causality, has the continuity, and pays close attention to the life itself original state place characteristic; Starting with the natural view of environmental aesthetics and natural aesthetics, this paper probes into the relationship between the natural form and artificial form in the place, and puts forward the idea of eliminating the objectiveness of artificial objects in the aesthetic experience of art. Melt the boundary between natural form and artificial form to create "presence" of environmental perception; Finally, from the perspective of phenomenology and Chinese "image thinking", it is discussed that in the face of concrete creation, we need to invest in our spiritual field, realize the "image" of things with our heart, and extend the time of consciousness of "present" in time dimension. From the above three angles, this paper probes into the mode of place construction under the aesthetic experience of "presence".
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：B83

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