加达默尔的美论思想及其他

发布时间：2019-03-02 10:22

【摘要】：国内学界对加达默尔的艺术理论多有涉及 ,却因种种困难极少谈到他的美论思想 ,但不研究他的美论思想 ,便不可能理解解释学美学的特质和核心。在对美本身的探究中 ,加达默尔特别依赖于柏拉图和黑格尔 ,把美理解为“理念的可见性” ,美成为理念和现象之间的中介 ,因此美的存在论功能就是跨越理想与现实的桥梁 ;但加达默尔又不认为美本身是一种孤立、先验存在的理念 ,而是如“光”一般存在 ,美之事物就是美的此在。加达默尔对“理念”、对“光”的强调 ,表明其美学思想实质上继承了欧洲理性主义美学传统 ,显示了其美学思想中的追求确定性的一面 ,这也对 2 0世纪的西方美学带来了一些“光”的亮色。
[Abstract]:However, it is impossible to understand the characteristics and core of hermeneutics aesthetics without studying his aesthetic thought, but it is very rare to talk about his aesthetic thought because of all kinds of difficulties in the field of art theory of Gadamer in the field of domestic academic circles, but it is impossible to understand the characteristics and the core of hermeneutic aesthetics without studying his aesthetic thought. In his exploration of beauty itself, Gadamer especially relied on Plato and Hegel to interpret beauty as "the visibility of ideas," and beauty became an intermediary between ideas and phenomena. Therefore, the existential function of beauty is the bridge between ideal and reality. But Gadamer does not think that beauty itself is an isolated, pre-existing concept, but is like the "light" general existence, the beauty of things is the beauty of this. Gadamer's emphasis on "idea" and "light" shows that his aesthetic thought inherits the aesthetic tradition of European rationalism in essence, and shows the pursuit of certainty in his aesthetic thought. This also brings some bright colors of light to the western aesthetics of the 20th century.
【作者单位】：山东大学
【基金】：教育部人文社会科学重点研究基地基金资助
【分类号】：B83-06

【共引文献】