几何世界：认知与审美
发布时间：2019-03-18 10:52
【摘要】： 我们的面前有一个世界,它一方面是科学的、认知的,同时,它也是艺术的、审美的。我们总是在企图通过各种途径来接触和理解这个世界。我们面前的世界,无论它有多么复杂,都可以用几何图形进行概括。几何,我们有理由相信,它是一种方法,在理解科学世界与艺术世界的过程中,它最为行之有效。几何代表了人们对世界的一种基本假设,这种基本假设同时具有认知与审美两种性格。这就形成了两种不同的切近自然的方式或者说是与自然相处的两种不同方式,一种方式是认知的,基于一种科学性的理解;另外一种则是审美的,基于一种艺术性的体验。这两种性格又来源于同一个母体,观念的几何图形或者是我们面前这个真实的世界。 几何自身的两面性给予了它自身对世界的两面性的理解和把握的能力,艺术正是依靠了几何的这种两面性、它的两种品质来展示面前的这个世界。在艺术中认知与审美是一对矛盾,这两种矛盾的品质成就了艺术,又在斗争中解构了艺术。艺术的认知功能逐渐遁去,艺术从它自身两面性的斗争中走向终结,同时又走向新的开始。我们很难说是几何认知功能的遁去瓦解了艺术,还是艺术抛弃了几何的认知功能,总之,艺术中的认知的成分却被体验的,审美的取代了。因为有一天,我们发现对于面前的这个世界我们根本无法确证,于是想方设法让世界自身展示出它自己来。所以,我们要区分艺术与现代艺术。在现代艺术中,几何仍旧是一个重要角色,即便是在梵高印象主义的作品中我们也还能找出几何的痕迹。但是在其中我们已经看不出科学的、认知的成分,更多的是审美的,和体验的,和表现的,这才是艺术专属、独立的品质。从形式上看来现代艺术有走向原始、回到最初的倾向,但是,这却是一个经过思辨后新的开始。
[Abstract]:We have a world in front of us, on the one hand, it is scientific, cognitive, at the same time, it is also artistic, aesthetic. We are always trying to reach and understand the world in various ways. The world before us, no matter how complex it is, can be summed up in geometry. Geometry, we have reason to believe that it is a method of understanding the world of science and art, it is the most effective. Geometry represents a basic assumption of the world, which has both cognitive and aesthetic characteristics. This forms two different approaches to nature, or two different ways to get along with nature, one is cognitive, based on a scientific understanding, the other is aesthetic, based on an artistic experience. These two personalities come from the same matrix, the geometry of the idea or the real world in front of us. The two sides of geometry itself give it the ability to understand and grasp the two sides of the world. Art depends on the two sides of geometry, its two qualities to show the world in front of it. In art, cognition and aesthetics are a pair of contradictions. The quality of these two contradictions makes art, and deconstructs art in the struggle. Art's cognitive function is gradually gone, art from its own two-sided struggle to end, and at the same time to a new start. It is difficult to say whether the cognitive function of geometry disintegrates art or abandons the cognitive function of geometry. In short, the cognitive elements of art are replaced by experience and aesthetics. Because one day, we found that we could not confirm the world before us, so we tried to get the world to show itself. Therefore, we should distinguish between art and modern art. Geometry is still an important role in modern art, and even in Van Gogh's impressionist works we can find traces of geometry. But in which we have not seen the scientific, cognitive elements, more aesthetic, and experiential, and expressive, this is the exclusive, independent quality of art. Formally, modern art has a tendency to be primitive and return to the beginning, but it is a new beginning after speculation.
【学位授予单位】：同济大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：B834
[Abstract]:We have a world in front of us, on the one hand, it is scientific, cognitive, at the same time, it is also artistic, aesthetic. We are always trying to reach and understand the world in various ways. The world before us, no matter how complex it is, can be summed up in geometry. Geometry, we have reason to believe that it is a method of understanding the world of science and art, it is the most effective. Geometry represents a basic assumption of the world, which has both cognitive and aesthetic characteristics. This forms two different approaches to nature, or two different ways to get along with nature, one is cognitive, based on a scientific understanding, the other is aesthetic, based on an artistic experience. These two personalities come from the same matrix, the geometry of the idea or the real world in front of us. The two sides of geometry itself give it the ability to understand and grasp the two sides of the world. Art depends on the two sides of geometry, its two qualities to show the world in front of it. In art, cognition and aesthetics are a pair of contradictions. The quality of these two contradictions makes art, and deconstructs art in the struggle. Art's cognitive function is gradually gone, art from its own two-sided struggle to end, and at the same time to a new start. It is difficult to say whether the cognitive function of geometry disintegrates art or abandons the cognitive function of geometry. In short, the cognitive elements of art are replaced by experience and aesthetics. Because one day, we found that we could not confirm the world before us, so we tried to get the world to show itself. Therefore, we should distinguish between art and modern art. Geometry is still an important role in modern art, and even in Van Gogh's impressionist works we can find traces of geometry. But in which we have not seen the scientific, cognitive elements, more aesthetic, and experiential, and expressive, this is the exclusive, independent quality of art. Formally, modern art has a tendency to be primitive and return to the beginning, but it is a new beginning after speculation.
【学位授予单位】：同济大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：B834
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