中国比较美学:回顾与反思

发布时间：2019-04-20 15:47

【摘要】：中国比较美学是在近代中外文化的激烈碰撞中产生的。从历史背景和研究成果看,它的发展可以划分为三个阶段:20世纪初到1949年是比较美学的自发研究期;1949年到1978年"新时期"开端前是比较美学的视域转向期;新时期开端至今为比较美学的学科建构期。中国比较美学作为一个新兴学科,经历了从朦胧到清晰、从自发研究到自觉建构的发展历程,其间呈现出以下三个方面的主要特征:(1)中国比较美学的产生和发展是与整个社会实践紧密相联的;(2)中国比较美学具有明显的"解构"西方中心主义的性质;(3)中国比较美学为中国美学学科的现代转型提供了反思的视角。当然,比较美学的研究中也存在一些需要解决的问题,诸如东西方视野的场域之限,单一性研究的方法之偏,学科化建构的理论之失等等。为了将中国比较美学研究不断引向深入,促进学科建设的有效推进,亟待解决好以下三个问题:如何跳出二元对峙,走向跨文化比较美学研究;如何摆脱单一性和随意性,加强多元、多层面的综合研究;如何深化理论探索,加强比较美学学科理论体系建构。
[Abstract]:Chinese comparative aesthetics came into being in the fierce collision between Chinese and foreign cultures in modern times. From the historical background and research results, its development can be divided into three stages: from the beginning of the 20th century to 1949 is the spontaneous research period of comparative aesthetics, from 1949 to 1978 before the beginning of the "new period" is the perspective of comparative aesthetics turning period; From the beginning of the new period to the present, it is the construction period of comparative aesthetics. China's comparative aesthetics, as a new discipline, has experienced the course of development from obscurity to clarity, from spontaneous study to conscious construction. The main features are as follows: (1) the emergence and development of Chinese comparative aesthetics are closely related to the whole social practice; (2) Chinese comparative aesthetics has the obvious nature of "deconstructing" western centralism, and (3) Chinese comparative aesthetics provides a reflective perspective for the modern transformation of Chinese aesthetic discipline. Of course, there are also some problems to be solved in the study of comparative aesthetics, such as the limitation of the field of view of the East and the West, the bias of the method of the study of the unity, the loss of the theory of the construction of the subject, and so on. In order to deepen the study of Chinese comparative aesthetics and promote the construction of the discipline, the following three problems need to be solved: how to step out of the dualistic confrontation and move towards the study of cross-cultural comparative aesthetics; How to get rid of singleness and arbitrariness, strengthen the multi-dimensional and multi-dimensional comprehensive research, deepen the theoretical exploration and strengthen the construction of the theoretical system of the discipline of comparative aesthetics.
【作者单位】：上海师范大学比较文学与世界文学研究中心;
【基金】：国家社科基金项目“中国文艺美学对西方的影响”(项目编号:08BZW012)的阶段性成果
【分类号】：B83-069

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