审美文化与文化美学之辨
发布时间：2019-04-21 10:18
【摘要】：审美文化与文化美学二者都具有现代性特征,但是审美文化侧重于对人性异化后的情感缝补体验,以人文主义的维度进行审美导向;而文化美学是以美学视角对文化进行美的提炼与美学体系建构。虽然概念不同,但是二者对于美学与文化的考察方向与内涵具有相似性,因此常常被误用甚至滥用,对二者的概念和内涵做出辨析不仅具有理论意义,更具有现实意义。文章在对二者的概念与内涵进行溯源与解析的同时,探讨了在文化全球化的研究背景下,从审美文化到文化美学存在着转化的倾向,即文化美学对文化与美学的结合与审视更加具有先进性和实用性。文化美学将着眼点最终落在美学上,同时又保留了社会学的理论维度,从文化美学的角度对文化与美学的转变反映在大众艺术现象的审视显得更加准确。
[Abstract]:Both aesthetic culture and cultural aesthetics have the characteristics of modernity, but the aesthetic culture focuses on the emotional sewing experience after the alienation of human nature, and carries on the aesthetic orientation with the humanist dimension. Cultural aesthetics is to refine and construct the aesthetic system of culture from the perspective of aesthetics. Although the concepts are different, they are similar in the direction and connotation of aesthetics and culture, so they are often misused or even misused. It is not only of theoretical significance but also of practical significance to distinguish the concepts and connotations of the two. While tracing and analyzing the concept and connotation of the two, this paper probes into the tendency of transformation from aesthetic culture to cultural aesthetics under the background of cultural globalization. That is, the combination and examination of culture and aesthetics is more advanced and practical. Cultural aesthetics ultimately focuses on aesthetics, while retaining the theoretical dimension of sociology. From the perspective of cultural aesthetics, the transformation of culture and aesthetics is reflected in the examination of the phenomenon of mass art more accurately.
【作者单位】： 长春工业大学艺术设计学院;
【分类号】：I01;;G05
本文编号：2462099
[Abstract]:Both aesthetic culture and cultural aesthetics have the characteristics of modernity, but the aesthetic culture focuses on the emotional sewing experience after the alienation of human nature, and carries on the aesthetic orientation with the humanist dimension. Cultural aesthetics is to refine and construct the aesthetic system of culture from the perspective of aesthetics. Although the concepts are different, they are similar in the direction and connotation of aesthetics and culture, so they are often misused or even misused. It is not only of theoretical significance but also of practical significance to distinguish the concepts and connotations of the two. While tracing and analyzing the concept and connotation of the two, this paper probes into the tendency of transformation from aesthetic culture to cultural aesthetics under the background of cultural globalization. That is, the combination and examination of culture and aesthetics is more advanced and practical. Cultural aesthetics ultimately focuses on aesthetics, while retaining the theoretical dimension of sociology. From the perspective of cultural aesthetics, the transformation of culture and aesthetics is reflected in the examination of the phenomenon of mass art more accurately.
【作者单位】： 长春工业大学艺术设计学院;
【分类号】：I01;;G05
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