康德的审美现代性设计及对后现代美学的启示

发布时间：2019-04-27 08:13

【摘要】：在现代性确立的过程中,康德用理性为自然立法,建立了现代关于自然的知识;同时为人性立法,建立了关于人性的知识。但是关于自然的知识与关于人性的知识之间却不能通约,必然与自由、自然与道德处于隔绝和对立之中,启蒙的理性现代性深藏着危机。为消除危机,康德以审美的与自然的合目的论消除启蒙的理性现代性的内在矛盾,从而为现代设计了审美现代性,使现代性处于理性现代性与审美现代性的张力之间。康德所设计的审美现代性中的合目的性、无功利性、自律性、不确定性等特质直接启示了后现代美学和当代大众文化。可以说,后现代美学在对现代性中的理性现代性解构的过程中也深受现代性中审美现代性的启示,甚至在思想史的意义上讲,后现代美学的发展在很大程度上依靠着对审美现代性的改造与更新。
[Abstract]:In the process of the establishment of modernity, Kant established modern knowledge of nature with reason as the legislation of nature, and established knowledge of human nature for the purpose of legislation of human nature. But the knowledge about nature and the knowledge about human nature can not be contracted, it is inevitable and free, nature and morality are in isolation and antagonism, and the rational modernity of enlightenment is deeply hidden in crisis. In order to eliminate the crisis, Kant eliminated the inherent contradiction of enlightening rational modernity with the theory of aesthetic and natural aims, thus designed aesthetic modernity for modern times, and put modernity in the tension between rational modernity and aesthetic modernity. The characteristics of aesthetic modernity designed by Kant, such as purposefulness, non-utility, self-discipline and uncertainty, directly enlighten post-modern aesthetics and contemporary mass culture. It can be said that, in the process of deconstruction of rational modernity in modernity, postmodern aesthetics is also deeply enlightened by aesthetic modernity in modernity, even in the sense of ideological history. The development of post-modern aesthetics depends to a great extent on the transformation and renewal of aesthetic modernity.
【作者单位】：黑龙江大学文化哲学研究中心;
【基金】：国家社会科学基金项目“德意志文化启蒙与现代性的文艺美学话语研究”(批准号:10BZW022) 教育部人文社会科学研究基金项目“德国古典美学的现代性视域”(批准号:06JD720001)阶段性成果
【分类号】：B83

【共引文献】