美学方法论和艺术本质观——从东、西方古典美学看艺术的审美本质

发布时间：2019-06-19 03:48

【摘要】：本文从美学方法论的角度 ,以对东西方古典美学艺术本质观的论述为基础 ,结合当前的文艺实践 ,对艺术本质给予了现时代的规定。本文认为 ,西方古典美学和艺术思想的基本特征 ,是以纯哲学和社会学的方法研究艺术 ,把艺术规定为是一种特殊的认识活动 ,将摹拟、再现、认识看作是艺术的本质特征 ;而中国古典美学则主要是以伦理学与哲学的辩证统一、艺术哲学和艺术心理学相统一的方法观察和研究艺术 ,把情感看作艺术的特质 ,将抒情、写意规定为是艺术的基本特征。东西方古典美学各自在艺术本质问题上的合理性和片面性 ,以及当今东西方艺术发展的趋势 ,说明对艺术本质的思考和探求 ,既不能单纯执着于表现主义 ,也不能固守于理智主义 ,而是应该扬弃其各自的片面性 ,对东西方古典美学的艺术本质观 ,在现时代的规定下进行辩证的综合
[Abstract]:From the perspective of aesthetic methodology, based on the discussion of the essence of classical aesthetic art in the East and the West, combined with the current literary and artistic practice, this paper gives the provisions of the present era on the essence of art. This paper holds that the basic characteristics of western classical aesthetics and artistic thought are the study of art by pure philosophy and sociology, the stipulation of art as a special cognitive activity, and the imitation, reproduction and cognition as the essential characteristics of art. Chinese classical aesthetics, on the other hand, mainly observes and studies art by the dialectical unity of ethics and philosophy, artistic philosophy and artistic psychology, regards emotion as the characteristic of art, and defines lyricism and freehand brushwork as the basic characteristics of art. The rationality and one-sidedness of the eastern and western classical aesthetics in the nature of art, as well as the trend of the development of art in the East and the West, show that the thinking and exploration of the essence of art can neither simply adhere to expressionism nor adhere to rationalism, but should abandon their one-sidedness, and make a dialectical synthesis of the artistic essence of the classical aesthetics of the East and the West under the provisions of the present era.
【作者单位】：山东大学文艺美学研究中心山东理工大学
【分类号】：B83

【共引文献】