文:作为中国美学观念的起源、演进、定型
发布时间：2019-06-21 01:50
【摘要】：文来源上古东南族群仪式之人(巫)的裸身之文和西北族群仪式之人(巫)的毛饰之_c,在东南西北各族融合为华夏的过程中演进为帝王冕服,进而成为以朝廷冕服为核心的整个朝廷之文,即夏商周礼乐文化中的美的体系,再进而扩展为宇宙的普遍之美。在春秋战国的礼崩乐坏中,文的体系中的绝大部分色、声、味的美,都成了只满足人的欲望的享乐对象,失去了原来文的整合性中的政治-伦理和神学-形上意义,从而文成为饰,而遭到道墨法各家的攻击,只有文字之美仍保持着原来文的整合性中的政治-伦理和神学-形成意义,这样,文成了狭义的文字之美。中国美学的文的意义,正是在这一历史过程中形成的。
[Abstract]:The text originated from the naked body of the people (witches) of the southeast ethnic group in ancient times and the Mao ornaments of the rituals of the northwest ethnic groups (witches). In the process of the integration of the southeast and northwest ethnic groups into Chinese, it evolved into the imperial coronation suit, and then became the whole court text with the royal coronal suit as the core, that is, the system of beauty in the ritual and music culture of the Xia, Shang, Zhou and Zhou dynasties, and then expanded into the universal beauty of the universe. In the collapse of etiquette and music in the Spring and Autumn period and the warring States period, the beauty of color, sound and taste in the system of writing has become the object of pleasure that only satisfies the desires of human beings, and has lost the political-ethical and theological-metaphysical meaning in the integration of the original text. Thus, the text has become an ornament, and has been attacked by various Taoist schools. Only the beauty of the text still maintains the political-ethical and theological meaning in the integration of the original text. In this way, Text has become the beauty of writing in a narrow sense. The significance of Chinese aesthetics is formed in this historical process.
【作者单位】： 中国人民大学哲学院;
【分类号】：B83-092
本文编号：2503692
[Abstract]:The text originated from the naked body of the people (witches) of the southeast ethnic group in ancient times and the Mao ornaments of the rituals of the northwest ethnic groups (witches). In the process of the integration of the southeast and northwest ethnic groups into Chinese, it evolved into the imperial coronation suit, and then became the whole court text with the royal coronal suit as the core, that is, the system of beauty in the ritual and music culture of the Xia, Shang, Zhou and Zhou dynasties, and then expanded into the universal beauty of the universe. In the collapse of etiquette and music in the Spring and Autumn period and the warring States period, the beauty of color, sound and taste in the system of writing has become the object of pleasure that only satisfies the desires of human beings, and has lost the political-ethical and theological-metaphysical meaning in the integration of the original text. Thus, the text has become an ornament, and has been attacked by various Taoist schools. Only the beauty of the text still maintains the political-ethical and theological meaning in the integration of the original text. In this way, Text has become the beauty of writing in a narrow sense. The significance of Chinese aesthetics is formed in this historical process.
【作者单位】： 中国人民大学哲学院;
【分类号】：B83-092
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