生态美学的哲学思考
发布时间：2019-07-08 18:46
【摘要】： 生态美学思想是在人类和整个地球的生存危机这个大背景下产生的,是立足于自然的现实、社会的现实和学术的现实而产生的符合当代思想状况和历史发展潮流的一种哲学思想和价值观念。生态美学将和谐看做是最高的美学形态,这种和谐不仅是现实的和谐,也是精神上的和谐。生态美学的深刻内涵是包含着新的时代内容的人文精神,是一种人与自然和社会达到动态平衡、和谐一致的崭新的生态存在论美学观。 生态美学对人类生存状态进行哲学美学的思考,是对人类生态审美观念反思的理论。美学是形而上之思,而不是形而下的探讨。如果把生态美学当作实用美学来研究,只能降低生态美学研究的意义所在,也就不能在思想和观念层面上来真正认识生态对于整个人类生命和我们美学研究的价值。生态美学应该以本体论作为研究的理论前提,以现象学哲学为主要方法论来源。 我们将生态美学观奠定在马克思唯物主义实践观的哲学基础之上,同时借鉴吸收海德格尔存在论思想的一些有价值的因素,阐发马克思没有来得及充分展开的存在论思想的内涵,使马克思唯物主义实践观得到充分的展开和丰富。 生态美学研究可以帮助人们形成正确的生态审美观,进而促使人们形成正确的生态价值观。此外,生态美学研究在生态环境建设中可以起到指导作用。建设一个适宜于人们居住、生活、工作的优美环境,始终是生态环境建设追求的目标。 本文分为五个部分: 第一部分,分析生态美学思想发生的后现代背景。 第二部分,对生态美学思想所处的现实环境进行阐述。 第三部分,对本文所论述的生态美学予以定位,以便能够把握本文是在何种意义、何种理解以及何种语境下使用生态美学概念的。 第四部分,论述生态美学的哲学观照:以马克思唯物主义实践观中的存在论维度为基础,适当吸收海德格尔存在论的合理成分。 第五部分,分别从理论以及实践两方面论述生态美学发生的意义。
[Abstract]:The thought of ecological aesthetics is produced under the background of the survival crisis of human beings and the whole earth. It is a kind of philosophical thought and value concept which is based on the reality of nature, the reality of society and the academic reality, which accords with the contemporary ideological situation and the trend of historical development. Ecological aesthetics regards harmony as the highest aesthetic form, which is not only realistic harmony, but also spiritual harmony. The profound connotation of ecological aesthetics is the humanistic spirit which contains the content of the new times, and it is a new aesthetic view of ecological ontology in which man and nature and society achieve dynamic balance and harmony. It is a theory to reflect on the concept of human ecological aesthetics that ecological aesthetics thinks about the state of human existence. Aesthetics is metaphysical thinking, not metaphysical discussion. If ecological aesthetics is studied as practical aesthetics, the significance of ecological aesthetics research can only be reduced, and the value of ecology to human life and our aesthetic research can not be truly understood at the ideological and conceptual level. Ecological aesthetics should take ontology as the theoretical premise and phenomenological philosophy as the main methodological source. We lay the view of ecological aesthetics on the philosophical basis of Marx's materialist view of practice, and draw lessons from some valuable factors that absorb Heidegger's existentialism thought, and explain the connotation of Marx's existentialism thought that Marx did not have time to fully expand, so that Marx's materialistic view of practice can be fully expanded and enriched. The study of ecological aesthetics can help people form correct ecological aesthetics, and then promote people to form correct ecological values. In addition, the study of ecological aesthetics can play a guiding role in the construction of ecological environment. It is always the goal of ecological environment construction to build a beautiful environment suitable for people to live, live and work. This paper is divided into five parts: the first part analyzes the postmodern background of ecological aesthetics. The second part expounds the realistic environment of ecological aesthetics. In the third part, the ecological aesthetics discussed in this paper is positioned in order to grasp the meaning, understanding and context of the concept of ecological aesthetics. The fourth part discusses the philosophical view of ecological aesthetics: based on the existential dimension of Marx's materialist view of practice, the reasonable components of Heidegger's existentialism are properly absorbed. The fifth part discusses the significance of ecological aesthetics from both theoretical and practical aspects.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：B83
本文编号：2511795
[Abstract]:The thought of ecological aesthetics is produced under the background of the survival crisis of human beings and the whole earth. It is a kind of philosophical thought and value concept which is based on the reality of nature, the reality of society and the academic reality, which accords with the contemporary ideological situation and the trend of historical development. Ecological aesthetics regards harmony as the highest aesthetic form, which is not only realistic harmony, but also spiritual harmony. The profound connotation of ecological aesthetics is the humanistic spirit which contains the content of the new times, and it is a new aesthetic view of ecological ontology in which man and nature and society achieve dynamic balance and harmony. It is a theory to reflect on the concept of human ecological aesthetics that ecological aesthetics thinks about the state of human existence. Aesthetics is metaphysical thinking, not metaphysical discussion. If ecological aesthetics is studied as practical aesthetics, the significance of ecological aesthetics research can only be reduced, and the value of ecology to human life and our aesthetic research can not be truly understood at the ideological and conceptual level. Ecological aesthetics should take ontology as the theoretical premise and phenomenological philosophy as the main methodological source. We lay the view of ecological aesthetics on the philosophical basis of Marx's materialist view of practice, and draw lessons from some valuable factors that absorb Heidegger's existentialism thought, and explain the connotation of Marx's existentialism thought that Marx did not have time to fully expand, so that Marx's materialistic view of practice can be fully expanded and enriched. The study of ecological aesthetics can help people form correct ecological aesthetics, and then promote people to form correct ecological values. In addition, the study of ecological aesthetics can play a guiding role in the construction of ecological environment. It is always the goal of ecological environment construction to build a beautiful environment suitable for people to live, live and work. This paper is divided into five parts: the first part analyzes the postmodern background of ecological aesthetics. The second part expounds the realistic environment of ecological aesthetics. In the third part, the ecological aesthetics discussed in this paper is positioned in order to grasp the meaning, understanding and context of the concept of ecological aesthetics. The fourth part discusses the philosophical view of ecological aesthetics: based on the existential dimension of Marx's materialist view of practice, the reasonable components of Heidegger's existentialism are properly absorbed. The fifth part discusses the significance of ecological aesthetics from both theoretical and practical aspects.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：B83
【引证文献】
相关硕士学位论文 前2条
1 王艳丽;曾繁仁生态美学思想哲学基础研究[D];沈阳师范大学;2011年
2 刘倩;基于生态美学思想的城市滨水区设计与研究[D];湖南大学;2010年
，本文编号：2511795
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