论王朝闻美学思想的历史发展
发布时间：2019-07-11 08:19
【摘要】：王朝闻美学研究60年是一个否定和重构的历程,他的美学思想始终贯穿着对主体和客体分裂的形而上思想的批判,这种批判表现在三个领域,即艺术创造、审美欣赏、理论研究,而他的美学思想就在批判中建构。总的说来他的美学思想有四个方面的内容:审美主体和审美客体的关系;艺术的古今关系;民族性和世界性的关系;艺术雅俗的关系。而这四个方面的关系研究又主要以审美关系中的主客体的研究为中心展开,基本可以分为四个时期,分别以艺术创造、艺术欣赏、审美关系、审美人生为研究的重心。而这四个时期始终以审美主体的存在为核心内容,分别探讨了典型与典型环境、欣赏者和艺术、审美主体和审美客体、艺术和生活等内容,强调人和人、人和世界、人和
[Abstract]:Wang Chaowen's aesthetic research has been a course of negation and reconstruction for 60 years. His aesthetic thought has always run through the criticism of the metaphysical thought of the division of subject and object, which is manifested in three fields, namely, artistic creation, aesthetic appreciation and theoretical research, and his aesthetic thought is constructed in criticism. Generally speaking, his aesthetic thought has four aspects: the relationship between aesthetic subject and aesthetic object; the ancient and modern relationship of art; the relationship between nationality and the world; and the relationship between artistic elegance and vulgarity. The research on the relationship between these four aspects is mainly centered on the study of subject and object in aesthetic relationship, which can be divided into four periods, focusing on artistic creation, artistic appreciation, aesthetic relationship and aesthetic life. In these four periods, the existence of aesthetic subject has always been taken as the core content, and the typical and typical environment, appreciator and art, aesthetic subject and aesthetic object, art and life, etc., have been discussed respectively, emphasizing people and people, people and the world, people and people.
【作者单位】： 山东师范大学文学院
【分类号】：B83-06
[Abstract]:Wang Chaowen's aesthetic research has been a course of negation and reconstruction for 60 years. His aesthetic thought has always run through the criticism of the metaphysical thought of the division of subject and object, which is manifested in three fields, namely, artistic creation, aesthetic appreciation and theoretical research, and his aesthetic thought is constructed in criticism. Generally speaking, his aesthetic thought has four aspects: the relationship between aesthetic subject and aesthetic object; the ancient and modern relationship of art; the relationship between nationality and the world; and the relationship between artistic elegance and vulgarity. The research on the relationship between these four aspects is mainly centered on the study of subject and object in aesthetic relationship, which can be divided into four periods, focusing on artistic creation, artistic appreciation, aesthetic relationship and aesthetic life. In these four periods, the existence of aesthetic subject has always been taken as the core content, and the typical and typical environment, appreciator and art, aesthetic subject and aesthetic object, art and life, etc., have been discussed respectively, emphasizing people and people, people and the world, people and people.
【作者单位】： 山东师范大学文学院
【分类号】：B83-06
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