戏曲的咬字行腔在民族声乐中的具体运用

发布时间：2018-01-09 15:12

本文关键词：戏曲的咬字行腔在民族声乐中的具体运用　出处：《中国音乐学院》2010年硕士论文　论文类型：学位论文

【摘要】： 本文通过对中国传统戏曲中演唱特点的研究,结合本人学习实践经验,初步探讨戏曲演唱中值得民族声乐学习和借鉴的咬字行腔方法。我国戏曲文化源远流长,在保留民族特色、弘扬民族文化上是一个成功的典范,而我们现在所说的民族声乐则是更多地借鉴了西洋的发声方法后而产生的一种有别于中国传统声乐的一种新唱法。在借鉴西洋发声方法的过程中,由于中西方文化不同、中西方语言不同、中西方人物形态不同,导致了很多学生在演唱中国作品时不咬字、咬错字、咬不准字以及在演唱民族歌剧时塑造人物形象不准确等诸多问题。因此本人认为,民族声乐追求科学性不能以牺牲民族性为代价,要解决民族声乐的上述问题完全可以通过吸收中国传统戏曲咬字行腔的特点,做到科学的发声方法性与民族特色二者兼顾,这样才能保证自身的艺术活力及其无可替代的艺术价值。
[Abstract]:Based on the study of the characteristics of singing in Chinese traditional opera and the experience of my study and practice, this paper preliminarily discusses the Chinese opera singing method worthy of learning and drawing lessons from the national vocal music. The Chinese opera culture has a long history. It is a successful example to preserve the national characteristics and carry forward the national culture. However, the national vocal music is a new singing method which is different from the traditional Chinese vocal music, which is different from the traditional Chinese vocal music, and in the process of drawing lessons from the Western vocalization method, the national vocal music is a kind of new singing method, which is different from the traditional Chinese vocal music. Because of the difference of Chinese and western cultures, Chinese and western languages, and different forms of Chinese and Western characters, many students do not pronounce words and bite wrong characters when singing Chinese works. So I believe that the pursuit of scientific national vocal music can not be at the expense of national character. In order to solve the above problems of national vocal music, we can absorb the characteristics of Chinese traditional opera to pronounce characters and lines, so as to achieve both the scientific vocalization method and the national characteristics. Only in this way can we guarantee our artistic vitality and its irreplaceable artistic value.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J616

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