论影像技术时代的绘画传统问题

发布时间：2018-01-10 10:30

本文关键词：论影像技术时代的绘画传统问题　出处：《山西师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：在当今“影像时代”（或为“读图时代”），影像与绘画的关系问题备受绘画实践者与理论批评界的关注。有关论述多有发表，见仁见智百家争鸣。本文亦围绕此问题通过两大方面进行论述：第一部分主要对此方面的论著、论文（以近十年来国内艺术学的硕、博士研究生成果为主）进行整理分类，梳理出有关此方面论述的主要关注范围和焦点问题，进而对自己在思考此问题时的观点和方法做一反思和选择；本文第二部分主要分析和讨论在“影像技术时代”照片与古老的绘画传统如何共存和发展的问题，文章的切入点是绘画艺术的表现语言问题，笔者认为作为绘画传统，是以写．生．、临．摹．和默．写．的方式得以传承和延续的。绘画对照片的利用问题实际上是如何诠释“临摹”的问题，继而在第二部分通过对典型事例的分析，主要讨论“临摹”的内涵问题。文中的两个概念：“临摹”与“挪用”是论述的中心问题。笔者认为当对画家利用照片的行为进行分析时，“挪用”的方法是主动对照片的加以利用的方法，是将“别人的东西据为己有”的再创造性的利用；当用“临摹”来分析画家对照片的利用时，意味着是抄袭和照搬，是被动和毫无意义的重复，，并且无助于绘画传统的继承和发展。同时也论述了“临摹”作为古老的绘画手段，在沿袭绘画古老传统的历程中是极为重要的。“临摹”在用于分析对古代绘画的学习和对照片的模仿，其内涵完全不是同一概念。
[Abstract]:In today's "image age" (or "picture reading age"), the relationship between image and painting has attracted the attention of painting practitioners and theoretical critics. This paper also focuses on this issue through two major aspects: the first part mainly on this aspect of the thesis, the paper (in the past decade). To sort out the main areas of concern and focus of the discussion, and then to reflect on and choose their own views and methods when thinking about this issue; The second part of this paper mainly analyzes and discusses how to coexist and develop the picture and the ancient painting tradition in the "Image Technology Age". The breakthrough point of the article is the expression language of the painting art. The author thinks that as the tradition of painting, it is the way of writing. Health, imitating and writing. The problem of how to use pictures in painting is actually how to interpret the problem of "copy". The second part mainly discusses the connotation of copying through the analysis of typical examples. The author thinks that the method of "misappropriation" is the method of active use of photographs when analyzing the behavior of the painter in the use of photographs. It is the re-creative use of "other people's things as their own"; When "copy" is used to analyze the artist's use of photographs, it means plagiarism and copying, passive and meaningless repetition, and is not conducive to the inheritance and development of painting tradition. At the same time, it also discusses the "copy" as an ancient means of painting, in the course of following the ancient tradition of painting is extremely important. "copy" in the analysis of ancient painting and the imitation of photos. Its connotation is completely different from the same concept.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205;J405

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