中国当代风景摄影的“陌生化”创作探究

发布时间：2018-01-13 10:54

本文关键词：中国当代风景摄影的“陌生化”创作探究　出处：《山东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：随着科技的进步,尤其是数码技术的兴起和蓬勃发展,人们对摄影的需求与日俱增。在全民摄影时代,风景摄影因易接触、易驾驭等特点,成为众多摄影人在各种摄影创作样态中的首选。于是,在摄影领域中呈现了千军万马奔向风景摄影的景象。一时间,众多摄影理论家惊呼,这是一个影像泛滥的时代,也是一个盛产影像垃圾的时代。风景摄影本身没有问题,只是很多创作者进入了风景摄影的误区。中国的摄影理论家和摄影师在理论研讨和创作实践中,呼唤并探寻着中国当代风景摄影的突破。面对这种情况,从“陌生化”这一角度入手进行摄影创作,对推动风景摄影的创新,有着特殊意义。本文从中国当代风景摄影创作现状出发,试图探寻一条解决目前存在的创作雷同问题,保持风景摄影之活力的路径。“陌生化”创作以陌生化理论为基础。陌生化理论主张颠覆人们所熟悉的事物,从而呈现事物新的、陌生的一面。它强调创造性,通过艺术手法来打破人们熟视无睹的麻木状态,使人们重新感受生活。它在文学、戏剧、绘画等文艺领域中均得到践行,维持了艺术的鲜活感。本文在当代文化语境下,结合当代优秀的风景摄影作品,对“陌生化”创作具体实践途径进行梳理归纳。“陌生化”作为一种创作方式,为风景摄影未来影像实践提供了一种全新的观看方式,在技巧、手法的创造性运用上,带给摄影师以启发。通过对“陌生化”创作的研究,为中国风景摄影领域提供新的理论支持,同时,也为陌生化理论在艺术实践中的应用开拓了新领域。本文共分为四章:第一章,界定风景摄影并详细分析中国当代风景摄影创作领域中存在的问题。分别从西方风景摄影和中国风景摄影的发展历程中,界定风景摄影。辩证地看待中国当代风景摄影的现状并着重分析了中国当代风景摄影领域中存在的问题。第二章,论述“陌生化”创作的理论基础,界定摄影领域中的“陌生化”创作、分析“陌生化”创作的可行性。首先,对陌生化理论进行概述。其次,结合摄影史,从“陌生化”创作的含义、逻辑过程和实质三方面界定了摄影领域中“陌生化”创作。最后,结合当代文化语境,指出“陌生化”创作在当代风景摄影领域中的可行性。第三章,详细论述“陌生化”创作在中国当代风景摄影的具体实践途径。将“陌生化”创作概括为颠覆和重构。在具体论述中,根据当代摄影家的优秀作品,从创作的“意”与“形”以及本土化摄影语言三个方面归纳总结出“陌生化”创作的实践途径。第四章,分析“陌生化”创作对中国当代风景摄影的价值、总结“陌生化”创作过程中对“陌生”的把握维度,提出“陌生化”创作的时效性以及笔者结合自身作品阐述对“陌生化”创作的理解。结语部分,再次陈述本文的核心观点。对“陌生化”创作的研究带给我们的启示为:中国当代风景摄影突破和创新的过程中是有多条道路可寻的。“陌生化”创作是众多途径之一,它在创作过程中不断寻求陌生点,呈现了新的风景影像。提出要以一种发展的眼光看待“陌生化”创作,才能更好地促进风景摄影的繁荣与发展。
[Abstract]:With the progress of science and technology, especially the rise and the rapid development of digital technology, people's demand for photography. In the era of grow with each passing day photography, landscape photography for easy access, easy to control etc., as many people in a variety of photography photography like state of choice. So, in the field of photography in the landscape photography to thousands upon thousands of horses and soldiers the scene. For a time, many photography theorists exclaimed, this is an era of rampant image, but also a rich image of garbage time. Landscape photography itself is no problem, just a lot of artists entered a misunderstanding landscape photography. Chinese photography theorist and photographer in theory research and practice, and explore a call Chinese contemporary landscape photography breakthrough. In the face of this situation, from the angle of "Defamiliarization" of photography, landscape photography to promote innovation, has a special significance. This article from the status quo of China contemporary landscape photography, trying to find a solution to the existing problem creating the same path, to maintain the vitality of landscape photography. The "Defamiliarization" creation with defamiliarization theory. The theory of defamiliarization advocates the overthrow of familiar things, to show something new, strange side of it. Emphasizing creativity, through art to break the numb people turn a blind eye, so that people feel the life. In literature, drama, painting and other arts have been practicing in the field of art, to maintain the freshness of this paper. In the context of contemporary culture, combined with the excellent works of contemporary landscape photography, the creation of "Defamiliarization" specific practical ways of summarizing. "Defamiliarization" as a creative way for future landscape photography imaging practice provides a new way of viewing in the skills, techniques and Make use of, bring the photographer to inspire. Through the study of "Defamiliarization" creation, support, new theory for China landscape photography field at the same time, also open up a new field for the application of the theory of Defamiliarization in artistic practice. This paper is divided into four chapters: the first chapter, the definition and landscape photography with the analysis of the existing problems in Chinese contemporary landscape photography in the field. From the development course of Western landscape photography and China landscape photography, landscape photography. The current definition of dialectical view of Chinese contemporary landscape photography and analyzes the China contemporary landscape photography in the field. The second chapter discusses the theoretical basis of "Defamiliarization" creation, definition of photography in the field of "Defamiliarization" creation, the feasibility analysis of "Defamiliarization" creation. First, an overview of the theory of defamiliarization. Secondly, combined with the history of photography, from the "Defamiliarization" record The meaning and essence of the three aspects of the logical process defines the field of photography in the "strange" creation. Finally, combined with the contemporary cultural context, points out the feasibility of "Defamiliarization" creation in the contemporary landscape photography in the field. The third chapter discusses the "Defamiliarization" creation in the practice way. When China generation of landscape photography the creation of "Defamiliarization" summarized as subversion and reconstruction. In the paper, according to the outstanding works of contemporary photographers, from the creation of "meaning" and "form" and the localization of photography language three aspects summed up the practical ways of defamiliarization "creation. In the fourth chapter, the analysis of" Defamiliarization "creation of China the value of contemporary landscape photography, summed up the" Defamiliarization "in the creation process of" grasp the dimensions of strange ", proposed the creation of" Defamiliarization "timeliness and the author's own works of" Defamiliarization "record For understanding. The conclusion part, again statements the core ideas of this thesis. The study on the "Defamiliarization" creation inspiration: is a number of roads can be found Chinese process of contemporary landscape photography breakthrough and innovation. "Defamiliarization" is one of the many ways of creation, in the creative process of constantly seeking strange, presents a new image. Proposed to look at "strange" to create a development vision, in order to better promote the prosperity and development of landscape photography.

【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J414

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