清末民初国人对摄影媒介的认知

发布时间：2018-01-18 00:25

本文关键词：清末民初国人对摄影媒介的认知　出处：《江苏社会科学》2017年01期 　论文类型：期刊论文

【摘要】：晚清以降,摄影作为一种新媒介由西方传入中国,伴随着社会文化政治的剧烈变迁,国人对摄影媒介的认知也出现了变化。研究发现,传统绘画的审美意志首先接纳了摄影,国人普遍在绘画框架中理解摄影媒介。伴随着印刷业的兴起,摄影广泛嵌入大众社会生活,期间有关真实性的阐发普遍形塑了摄影另一媒介特征。清末民初国人对摄影媒介认知的变化,呈现了中国视觉现代性形成的历史过程,表现出一种面向真实性、疏离表现力的文化倾向,正是这一倾向孕育了新的摄影媒介文化。
[Abstract]:In the late Qing Dynasty, photography as a new media introduced from the west to China, accompanied by a drastic change of social and cultural politics, people's cognition on the medium of photography has changed. The study found that the traditional painting aesthetic will first accepted photography, people generally understand the medium of photography in the painting frame. With the rise of printing the photography industry, widely popular embedded in social life, during the analysis of the authenticity of the general shape of photography on another media feature. Change at the end of the Qing Dynasty people on the medium of photography cognition, showing the history of the formation process of modern visual Chinese, showing for authenticity, alienation of expressive cultural orientation. It is this trend gave birth to the new medium of photography culture.

【作者单位】：南京师范大学新闻与传播学院;南京晓庄学院新闻传播学院;
【分类号】：J409.2
【正文快照】： 1860年前后,中国广州、上海、香港等沿海地区陆续出现照相馆,直到1920年前后,摄影技术广泛运用于报刊杂志等印刷媒介,期间大约历经了60年。本文立足这段时期,考察国人如何理解与接纳摄影。清末以降,西方器物纷至沓来,摄影作为舶来品,无可避免染上一些东西交融的“生成因素”。

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