浅谈自拍行为中的“自我”表达

发布时间：2018-02-01 02:30

本文关键词： 自拍现象表演自我心理　出处：《中央美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：人们常常用自拍的形式表达自我。一方面,艺术家从自身、个体出发,寻找身份认同和自我意识;另一方面,摄影的去专业化和去精英化,使它成了大众"自我欣赏"和"自我展示"的绝佳方式,"看世界"也变成了一种对自身在场感的确认和证明。无论是艺术家还是大众,自拍作为对自身的客观化表达,都充满极强的个性化色彩。围绕自拍展开的是关于形象、身体、环境和身份角色的讨论,也是一种"反观自身"的文化行为。一旦将自拍行为放在当今社会的大环境下,其具有的"全民性"、"自发性"和"现象性"的特点便展现出来,它既受客观因素如:消费时代,自拍工具的普及和社交网络发展的影响;也受主观因素如:人的本能欲望和心理需求的主导。在以关系、内容和互动为核心的网络世界,自拍现象也仿佛经历着由"形象"到"意象"再到"想象"的逻辑转变。自拍这种将自我暴露和自我戏剧化的行为,在真实生活和表演生活之间展开,也是关于"自我"的一次次消融又一次次重塑。自拍行为中体现的关于"自我"的表达充满对自身的话语空间,个体存在的意义和身份的不确定等种种困惑,本文试图从拉康的镜像理论,荣格的人格面具理论,扎荣茨的多看效应论和弗洛伊德的泛性论等心理层面探究自拍的心理表现。
[Abstract]:People often express themselves in the form of selfie. On the one hand, artists look for identity and self-consciousness from themselves and individuals. On the other hand, the despecialization and deliciousness of photography make it an excellent way for the public to "self-appreciate" and "self-display". "see the World" has also become a kind of recognition and proof of their sense of presence. Whether artists or the public, selfie as an objective expression of themselves. It's all very personal. It's about the image, the body, the environment and the identity role around the selfie. It is also a kind of cultural behavior of "looking at oneself". Once the selfie behavior is put in the general environment of the present society, it has the characteristics of "the whole people", "spontaneity" and "phenomenon". It is affected by objective factors such as the consumption era, the popularity of selfie tools and the development of social networks; Also subject to subjective factors such as: people's instinctive desire and psychological needs, in the relationship, content and interaction as the core of the network world. The phenomenon of selfie also seems to undergo a logical transformation from "image" to "image" and then to "imagination". Selfie, which exposes and dramatizes itself, spreads between real life and acting life. The expression of "self" is full of confusion about its own discourse space, the meaning of individual existence and the uncertainty of identity. This paper attempts to explore the psychological performance of selfie from the psychological aspects of Lacan's mirror image theory, Jung's personality mask theory, Zarontz's multi-view effect theory and Freud's panorama theory.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J405

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