郎静山“集锦摄影”的中国美学——“六法”失读,谈艺应从“具体艺理”开始

发布时间：2018-02-11 21:46

本文关键词： 郎静山中国画六法集锦摄影　出处：《南京艺术学院学报(美术与设计版)》2013年05期 　论文类型：期刊论文

【摘要】：郎静山是上世纪世界级的江苏摄影家,出生于淮阴,成名于大陆,因摄影是中国画意风格史称"集锦摄影",获多种重要奖项于国外。后半身的创作与定居都在台湾,这样重要的摄影家,其画意风格让人津津乐道,但少有全面指导技法上的美学总结,深入探讨"集锦摄影"的画意风格。指出长时间人们对郎老指导法则:中国画历史中"六法"的误读,并阐释了世上真正的"六法"概念。并且指出郎静山对"六法"的理解一向失读,且指出这种失读背后真正深刻的艺术史原因。然后重新阐发,力图真正揭示出,郎静山作品风格背后的指导原则。并从"六法"失读中,阐释"集锦摄影"是取法哪些中国画原素。对中国摄影界提出看法,从郎静山身上寻找出对中国摄影界深刻的启示意义,并不局限于只是对郎老作品风格的解读而已。
[Abstract]:In 0th century, Lang Jingshan, a world-class Jiangsu photographer, was born in Huaiyin and became famous in the mainland. Because photography is a history of Chinese painting style, he has won many important awards abroad. The latter half of the body was created and settled in Taiwan. Such an important photographer has a painting style that people love to talk about, but there are few comprehensive aesthetic summaries that guide the techniques. Discussing deeply the style of painting meaning of "Panjin Photography". Pointing out that the guiding principle of Lang Lao for a long time is the misreading of "six methods" in the history of Chinese painting. It also explains the real concept of the "six methods" in the world, and points out that Lang Jingshan's understanding of the "six methods" has always been unread, and points out the real and profound reasons for the art history behind this kind of missing reading. The guiding principles behind the style of Lang Jingshan's works. From the lost reading of "six methods", this paper explains which elements of Chinese painting are taken from the "Panorama Photography", and puts forward his views on the Chinese photography circles. Looking for the profound enlightenment to Chinese photography from Lang Jingshan is not limited to the interpretation of the style of Lang Jingshan's works.
【作者单位】：东南大学艺术学院;
【分类号】：J401

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