中国古代雕塑与绘画之线造型的互通性研究

发布时间：2018-04-06 05:14

本文选题：雕塑　切入点：线　出处：《大连理工大学》2010年硕士论文

【摘要】： 本文从中国古代雕塑中“线”的特征和应用价值的角度出发,就中国古代雕塑和传统绘画艺术的线造型之间的联系进行了系统和客观的比照,最后总结得出两者之间存在关联的特征和标志。文章通过研究“线”在古代雕塑中的运用以及演变过程,分析线是如何受到传统绘画的影响并作为独立的造型语言得到发展,得出古代雕塑作为一门传统艺术,它的线造型特征与传统绘画有着诸多的共通之处,这种共通,对现代雕塑艺术的创作具有积极的意义。本文结合美学、艺术风格学及比较研究等研究方法,对中国古代雕塑和传统绘画分别进行了发展历程的纵向考察和具体作品的横向研究,着重分析了线条的应用及其意蕴和美学特征,力图通过梳理古代雕塑的线造型与国画线造型的关系,来解读古代雕塑与传统绘画的传承体系。文章站在中国古代雕塑和绘画艺术一脉相承的线造型特征的民族视角,通过比较分析,希望详细解读艺术创作中线造型语言的应用价值。论文内容的核心部分是线的互通性的比较分析以及通过分析得出的结论,中国古代雕塑和传统绘画的艺术表现能力在线的运用上是有着相通之处的,在艺术追求和审美理念的终极目标上,实现了内在的沟通和一致。论文第二章在绪论的基础上着重介绍了关于“线”的基本认识问题,包括“线”的本义和特征,为接下来的详细论述奠定基础；本文第三章是线的互通性研究的比较分析,这一章是本文的重点部分,运用比较分析法从古代雕塑到传统绘画进行分阶段的重点梳理,来集中展现线的互通性的存在及其存在的形式和价值,比较分析的对象从仰韶文化的彩陶直到古代艺术发展的高峰—唐宋时期的具有典型意义的雕塑和绘画作品的线造型的特征。论文第四章是本文的结论,也是论文研究的价值所在,这部分集中阐述了论文的主题—线的互通性在古代雕塑与传统绘画之间存在的标志、联系以及研究的现实意义,阐述了线造型特征的民族特性和传承价值,最后总结传统的线造型语言特征在现代雕塑和绘画中仍具有其独特的审美价值。
[Abstract]:From the point of view of the characteristics and applied value of "line" in ancient Chinese sculpture, this paper makes a systematic and objective comparison on the relationship between the line modeling of ancient Chinese sculpture and traditional painting art.Finally, the characteristics and signs of the relationship between the two are concluded.By studying the application and evolution of "line" in ancient sculpture, this paper analyzes how the line is influenced by traditional painting and develops as an independent modeling language, and concludes that ancient sculpture is a traditional art.Its line modeling features and traditional painting have a lot in common, this common, the creation of modern sculpture art has a positive significance.Based on the research methods of aesthetics, art stylistics and comparative study, this paper investigates the development of ancient Chinese sculpture and traditional painting, respectively, and studies the horizontal works of concrete works.This paper emphatically analyzes the application of lines and their implication and aesthetic characteristics, and tries to interpret the inheritance system between ancient sculpture and traditional painting by combing the relationship between line modeling of ancient sculpture and line modeling of traditional Chinese painting.Standing in the national perspective of the line modeling characteristics of ancient Chinese sculpture and painting art, this article hopes to explain the application value of line modeling language in art creation in detail through comparison and analysis.The core part of the paper is the comparative analysis of the interworking of lines and the conclusion reached through the analysis. The online application of the artistic expression ability of ancient Chinese sculpture and traditional painting is similar.In the pursuit of art and aesthetic concept of the ultimate goal, the realization of internal communication and consistency.The second chapter focuses on the basic understanding of the "line", including the meaning and characteristics of the "line", which lays the foundation for the following detailed discussion; the third chapter is the comparative analysis of the research on the interoperability of lines.This chapter is the key part of this paper, using comparative analysis method from ancient sculpture to traditional painting to sort out the focus in stages, to focus on the existence of line interoperability and the existence of the form and value.The objects of comparison and analysis range from the painted pottery of Yangshao culture to the peak of the development of ancient art: the characteristics of line modeling of sculptures and paintings of typical significance in the Tang and Song dynasties.The fourth chapter is the conclusion of this paper, which is also the value of the paper research, which focuses on the theme of the paper-line interoperability between the ancient sculpture and traditional painting signs, links and the practical significance of the study.This paper expounds the national characteristics and inheritance value of line modeling features, and finally summarizes that the traditional line modeling language features still have their unique aesthetic value in modern sculpture and painting.
【学位授予单位】：大连理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J40-05

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