历史记忆中的云南影像

发布时间：2018-04-14 09:00

本文选题：历史记忆 + 云南影像　；参考：《云南师范大学》2015年硕士论文

【摘要】：影像建构着人们的记忆,为当代人提供着历史的此在。在现代性浪潮无可逃避的时代,积极的影像建构关乎主体性的形成与人们的自我认知。从1899年法国殖民者方舒雅拍摄的云南影像到今天由不同建构主体、各种不同维度的纪实性影像充斥着我们的生活,作为边疆的云南在这100年中的历史记忆被影像深刻的改变。本文将探讨从100年前殖民者以主体身份进行的影像建构到90年代末主体身份回归进行的影像建构,再到近年来以影像进行的历史重构。试图找到自近代以来不同历史时期所生产的纪实性影像中建构或重构了何种云南形象和历史记忆。以及什么样的因素或力量在支配着这种历史记忆的建构。本文的研究思路在纵向上按照影像发生的时间顺序对影片进行文本分析,从而在横向上结合不同时期的社会历史背景讨论建构主体是谁、建构了什么样的历史记忆。论文的第一章将从他者的视角展开讨论,通过影像展现一个云南人主体身份回归的过程。论文的第二章将从主体身份回归进行的多样化的影像建构讨论由不同主体建构的云南影像所呈现出来的不同历史记忆。第三章则是利用文化创伤理论去探讨创伤记忆的影像建构如何产生当代意义。第四章把重点放失语历史影像重构,讨论如何影像通过何种方式重构历史记忆,重构的策略又是什么。论文的第五章将从现代性追索、文化身份与文化资源、媒介传播、支配力量、文化安全6个角度对全文进行总结,探讨国家意识形态转变与地方意识觉醒为影像建构带来的影响,展现近代以来云南历史记忆的变迁。
[Abstract]:The image constructs people's memory and provides the historical existence for contemporary people.In the times when the tide of modernity is inevitable, the positive image construction is related to the formation of subjectivity and people's self-cognition.From the image taken by French colonist Fang Shuya in 1899 to today by different construction subjects, various dimensions of documentary images filled with our lives, as a frontier in the past 100 years Yunnan's historical memory has been profoundly changed by the image.This paper will discuss the image construction from the colonists' subjective identity 100 years ago to the subjective identity regression in the late 1990s, and then to the historical reconstruction of the image in recent years.This paper tries to find out what kind of Yunnan image and historical memory have been constructed or reconstructed in the documentary images produced in different historical periods since modern times.And what factors or forces govern the construction of this historical memory.The research idea of this paper is to analyze the text of the film vertically according to the chronological sequence of the image, so as to discuss horizontally who the subject is and what kind of historical memory has been constructed in combination with the social and historical background of different periods.In the first chapter, we discuss the process of the return of Yunnan people's identity from the perspective of others.The second chapter discusses the different historical memory of Yunnan images constructed by different subjects.The third chapter explores how the image construction of traumatic memory produces contemporary significance by using the theory of cultural trauma.The fourth chapter focuses on the reconstruction of historical images of aphasia and discusses how to reconstruct historical memory and what the strategy of reconstruction is.The fifth chapter will summarize the thesis from six angles of modernity, cultural identity and cultural resources, media communication, dominant power and cultural security.This paper probes into the influence of the transformation of national ideology and the awakening of local consciousness on the image construction and reveals the changes of Yunnan's historical memory since modern times.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：K29;J405

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