女性摄影师的无意识自拍

发布时间：2018-05-27 19:02

本文选题：视知觉 + 瞬间　；参考：《中国美术学院》2009年硕士论文

【摘要】： 在摄影术诞生的170年中,这门行走在科技领域和艺术领域的边缘学科,在其技术领域与艺术理论研究领域的发展都未为壮观。本文将以历史上极具影响的女性摄影师为案例,以自拍这一常用技术手段在应用时的各种表现为出发点,分析女性摄影师基于性别差异而产生的影像艺术作品的性别问题。在视知觉中,女性的自拍是一种自我的体认;在时间感知中,女性的自拍是一种自在的呈现场;在照片中,女性的自拍是一种感情意象的符号化。简言之,我认为大多数女性摄影师都有自拍意识,区别在于一种是让自己作为符号以表征从同类事物中概括出来的形象特质,另一种是让自己成为模式化的典型形象。总之,在照片中,一种情况是女性摄影师们在用其他事物来表征自己,另一种情况则是用自己来表征某种事物。
[Abstract]:In the 170 years since photography was born, it has been a marginal discipline in the field of science and technology and in the field of art theory, and its development has not been spectacular. This paper will take the highly influential female photographers in history as a case study to analyze the gender problems of female photographers' images based on gender differences by taking selfie as the starting point of various manifestations in the application of this commonly used technique. In the visual perception, the female selfie is a kind of self-recognition; in the time perception, the female selfie is a kind of free presentation field; in the photo, the female selfie is a symbol of the emotional image. In short, I think most female photographers have selfie consciousness, the difference is that they use themselves as symbols to represent the image traits that come from the same kind of thing, and the other is to make themselves a stereotypical image. In short, in a picture, a female photographer is using something else to represent herself, and another is to represent something by herself.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J405

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