故乡何在:“他者”的影像与意义的回归

发布时间：2018-05-28 20:36

本文选题：他者 + 影像制作　；参考：《文艺研究》2012年10期

【摘要】：关于他者和异方的视觉表达,不仅有技术问题和美学考量,更是某一特定社会文化如何差异化周边,从而构建世界格局观念的重要表征。对少数民族的影像呈现,常常受到国族建构和社会认知的影响而悬置,脱离了被摄对象和地方语境。本文以参与观察和民族志研究为基础,透过腾冲傈僳族村民"在地化"表达的影像作品,讨论视觉作品的意义如何走出"他者"审视的简化模式。在逐层深入的交流和阐释中,文化持有者以影像的方式呈现正在消逝的故乡,他们与研究者共同完成的作品也在寻找故乡的过程中回到视觉意义上的原乡。
[Abstract]:The visual expression of the other and the other is not only technical and aesthetic, but also an important representation of how a particular social culture is dissimilated, thus constructing an important representation of the concept of the world pattern. The image of the minority is often suspended from the influence of the national construction and social cognition, and is divorced from the subject and the local context. On the basis of the participation in the observation and ethnography, this paper discusses how the meaning of the visual works goes out of the simplified model of "the other" through the "geochemistry" of the Lisu villagers in Tengchong. The works completed are also returning to the homeland of visual sense in the process of finding their hometown.
【作者单位】：中山大学传播与设计学院;社会学与人类学学院;
【基金】：教育部人文社会科学研究基金青年项目“多重边缘中的国家认同传播——以腾冲猴桥傈僳族为例”(批准号:11YJC850025)阶段性成果
【分类号】：J405

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