“摄影得以艺名于中土将由此始”

发布时间：2018-06-03 04:55

本文选题：陈万里 + 20世纪二三十年代　；参考：《福建师范大学》2013年硕士论文

【摘要】：20世纪二三十年代是中国摄影艺术开始形成的重要阶段,亦是我国摄影艺术民族化探索的源头。陈万里先生作为这段时期最主要的摄影创作者、摄影团体发起人以及摄影活动家,不仅在摄影创作上取得了卓越的成就,而且为摄影艺术化、民族化做出了重要贡献。本文以研究陈万里摄影艺术为切入点,以其同时代摄影家群体的探索与努力为历史背景,探究这个时期摄影艺术所体现的个性化与民族化。从而为当今摄影艺术的发展提供理论依据和历史文本,以期对我国摄影艺术创作下一阶段的民族化发展有所裨益。为此,本研究在整理和分析陈万里摄影创作与摄影活动的基础上,通过梳理20世纪二三十年代摄影发展的历史资料,探讨陈万里个人摄影实践活动与我国摄影艺术启蒙和发展的关系,并以当时中国的社会、政治、经济及文艺等大环境为背景,对陈万里摄影艺术进行综合性考量,展现我国早期摄影家赋予摄影艺术以民族特色的创造精神。同时,从中华传统文化和艺术美学的视角出发,梳理出这一时期中国摄影从匠艺向艺术化、民族化转型的脉络历程,从而完成对这一时期我国摄影艺术发展的历史叙事。
[Abstract]:The twenties and thirties of the 20th century is an important stage for the formation of Chinese photography art, and also the source of the exploration of the nationalization of Chinese photography art. As the most important photographer in this period, Mr. Chen Wanli has not only made outstanding achievements in photography creation, but also made important contributions to the art and nationalization of photography. This article takes the research of Chen Wanli's photography art as the breakthrough point, taking the exploration and the effort of his contemporary photographer group as the historical background, probes into the individuation and nationalization of the photography art of this period. Therefore, it can provide theoretical basis and historical text for the development of photography art nowadays, in order to benefit the nationalization development of the next stage of photography art creation in our country. Therefore, on the basis of collating and analyzing Chen Wanli's photographic creation and activities, this study combs the historical data of photography development in the 1920s and 1930s. This paper probes into the relationship between Chen Wanli's personal photography practice and the enlightenment and development of photography art in China, and makes a comprehensive consideration of Chen Wanli's photography art against the background of the social, political, economic and literary environment of China at that time. Show the creative spirit of Chinese early photographers to give photography art with national characteristics. At the same time, from the perspective of Chinese traditional culture and art aesthetics, this paper combs out the course of the transformation of Chinese photography from craftsmanship to artistry and nationalization, so as to complete the historical narration of the development of Chinese photography art in this period.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K825.7;J409.2

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