当代影像艺术与消费社会的互动

发布时间：2018-06-09 00:34

本文选题：当代影像艺术 + 消费社会　；参考：《中央美术学院》2010年硕士论文

【摘要】： 20世纪50、60年代的西方发达资本主义国家普遍进入以消费为生产目的社会形态,即消费社会；20世纪90年代,中国亦进入消费社会。消费文化以一种大众化的、流行性的姿态冲击着传统的艺术模式。消费社会形态下形成的消费景观成为当代艺术家们新的关注表现对象,摄影作为一种新的艺术媒介,成为很多前卫艺术家传达观念的手段,并担负起了呈现现代生活的重任。本文就是试图从历史背景和艺术作品实例来研究当代影像艺术与消费社会的互动关系。本文首先从消费社会与景观社会的关系出发,考察当代艺术家正是对消费景观的再现来介入和探讨身处的消费社会。其次从分析消费文化与波普艺术的角度反观消费文化下当代艺术的一些新的特征。第三部分主要分析摄影作为一种新的艺术媒介是如何担负起呈现现代生活的重任,并以西方典型艺术家的作品为案例分析当代影像艺术与消费社会的互动关系：消费社会对当代艺术具有重要的影响,影像艺术作为当代艺术的重要组成部分也积极参与了对消费社会的诠释。第四部分探讨当代中国影像艺术与消费社会互动的独特性,试图从图像分析学和社会学的角度来阐释一些具有代表性的艺术家的作品含义及其投射出的时代思考。在结论部分本文提出了笔者对影像艺术与消费社会互动关系的一些见解,并对自己所从事的摄影艺术做了进一步的思考。
[Abstract]:In the 1950s and 1960s, the western developed capitalist countries generally entered the social form of taking consumption as the purpose of production, that is, the consumer society was similar to the 90's in the 20th century, and China also entered the consumer society. Consumer culture impacts the traditional art model with a popular and popular attitude. As a new artistic medium, photography has become a means for many avant-garde artists to convey their ideas and take on the important task of presenting modern life. This paper attempts to study the interactive relationship between contemporary image art and consumer society from the historical background and examples of works of art. First of all, this paper starts from the relationship between consumer society and landscape society. It is the reconstruction of the consumption landscape that the contemporary artists are examining to intervene and explore the consumer society in which they live. Secondly, from the point of view of consumer culture and pop art, some new features of contemporary art under consumer culture are reviewed. The third part mainly analyzes how photography, as a new artistic medium, takes on the important task of presenting modern life. Taking the works of typical western artists as a case study, this paper analyzes the interactive relationship between contemporary image art and consumer society: consumer society has an important influence on contemporary art. As an important part of contemporary art, image art also takes an active part in the interpretation of consumer society. The fourth part discusses the uniqueness of the interaction between image art and consumer society in contemporary China, and tries to explain the meaning of some representative artists' works and their time thinking from the angle of image analysis and sociology. In the conclusion part, the author puts forward some opinions on the relationship between the image art and the consumer society, and makes further reflection on the photography art.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J409.2

【共引文献】