女摄影家观念摄影的视觉思维研究

发布时间：2018-06-20 15:45

本文选题：女摄影家 + 观念摄影　；参考：《齐齐哈尔大学》2012年硕士论文

【摘要】：女摄影家通过观念摄影表达自己的内心世界，或是忧郁、或是恐惧、或是兴奋、或是淡定，不管是真实的现状还是虚幻的故事，她都可以从中得到释放。无论女摄影家以怎样的视觉思维诠释摄影，可以肯定的是女摄影家拍摄的意义不仅仅是简单的记录生活，而是通过这种方式将女性所扮演的社会角色的生活状态以及对自我的认识、关注表现出来。对于她们来说，，相机有时候是一面镜子，面对着它可以时时审视自我；有时候又像是一杯酒，可以在不经意间虏获人的心；有时候像是一味良药，虽然苦涩但却直入病灶；有时候更像是手中的武器，勇敢地捍卫着身为女性坚韧的尊严；更或者像是一支视觉上的麦克风，疯狂的呼喊着内心的欲望。父权制社会中的女性，被压抑在性别歧视的环境当中，她们拥有着强烈的欲望争取与男性在社会中的平等对待。在争取权利的过程中，女性本身付出的努力是不容忽视的。而女摄影家更是以一个特殊的方式表达着这种渴望被正视的态度。从她们的作品中也足以体现出向男性作为社会主导的主流文化提出挑战的坚决。同时，女性摄影家在争取与男性摄影家平等地位的过程中，付出了相当大的努力。与此同时她们也在时刻的审视自己，不要被性别上的差异误视了自我的能力。摄影的价值最终应该取决于不同视域下个体所展现出的魅力与精神。本篇论文旨在对女摄影家观念摄影的视觉思维进行研究和探索。尝试性的整理分析女摄影家观念摄影年表，以此为依据划分其摄影作品的类型。论文的研究范围涉及女性主义、两性文化、视觉思维等不同范畴，从感知觉的角度诠释女摄影家观念摄影作品，对大量女摄影家观念摄影作品进行分析，以视觉思维感受看待女摄影家。此论文提示了人们可以从不同的角度感受理解摄影艺术品。同时也在一定程度上提醒中国女摄影师对自我的正视，在观看他人的同时也要不时反观自己，使自身在心灵更深层次得到提升，不断地自我审视，通过摄影来表达女性真正的价值。
[Abstract]:The female photographer expresses her inner world through conceptual photography, either melancholy, fear, excitement, or calmness, whether it is the real situation or the illusory story, from which she can be released. No matter what visual thinking female photographers use to interpret photography, it is certain that the significance of shooting by female photographers is more than simply documenting life. In this way, the social role of women's living conditions and self-awareness, show concern. For them, the camera is sometimes a mirror, it can always look at itself; sometimes it is like a glass of wine, can catch the human heart inadvertently; sometimes it is like a medicine, although bitter but straight into the focus; Sometimes it's more like a weapon in your hand, bravely defending the tenacious dignity of being a woman; it's more like a visual microphone, chanting crazily about your inner desires. Women in patriarchal society are oppressed in the environment of sexism. They have a strong desire for equal treatment with men in society. In the process of striving for rights, the efforts made by women themselves cannot be ignored. But the female photographer expresses this kind of desire to be faced with the attitude with a special way. Their works also reflect the determination to challenge men as the dominant mainstream culture. At the same time, female photographers have made great efforts in the process of striving for equal status with male photographers. At the same time, they are constantly looking at themselves, not to be misjudged by gender differences in their abilities. The value of photography should ultimately depend on the charm and spirit displayed by individuals in different horizons. The purpose of this thesis is to study and explore the visual thinking of female photographers. A tentative analysis of the concept of female photographers photography chronology, based on the classification of their photographic works. The research scope of the thesis involves different categories such as feminism, gender culture, visual thinking and so on. It interprets female photographers' conceptual photography works from the perspective of perception, and analyzes a large number of female photographers' conceptual photography works. Look at female photographers with visual thoughts and feelings. This paper suggests that people can understand photographic art from different angles. At the same time, to a certain extent, the Chinese female photographers are reminded to look squarely at themselves. While watching others, they should also look back at themselves from time to time, so that they can be promoted at a deeper level in their hearts and constantly examine themselves. To express the true value of women through photography.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J405

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