从“宣传摄影”到“报道摄影”

发布时间：2018-06-26 05:34

本文选题：80年代 + 新时期　；参考：《南京师范大学》2011年硕士论文

【摘要】：1976文革结束之后,中国社会进入一个剧烈转型期。这种转型体现在经济、政治、文化和教育诸多方面。作为现代传播媒介的新闻摄影,也积极参与进这场深刻而又广阔的社会变革中。起步于“标准讨论”时代的我国新闻摄影事业,在经历了违反新闻摄影规律的导演摆布、追求“红、光、亮”、“高、大、全”的摄影历史,之后便开始了尊重新闻摄影规律、以事实与形象说话、追求真实性与信息量和“图文并重、两翼齐飞”的大变革,无论是照片质量、思想认识,还是组织建设都涣然一新。这主要体现以下几个方面：新闻摄影部门在报社组织架构中的地位以及人员构成,采编业务中对待新闻图片和摄影报道的定位方面,整体上完成了从“宣传摄影”到“报道摄影”的转型。正是基于摄影界剧烈变革这一历史背景,本文从纵横两方面对新时期中国新闻摄影的历史环境和具体特征进行了细致探讨。论文开篇便深入历史细节,概括阐述了新时期引发新闻摄影变革的动因,并通过分析揭示了它们对新时期新闻摄影变革轨迹的影响。论文主体从中国新闻摄影理论、实践、观念和体制四个方面,考察中国新闻摄影在新时期的现代变革特征,即从单一“宣传摄影”到多元“报道摄影”的实践变革；从肤浅“直接性图解”到深刻“人本研究”的理论更新；从死板“文字为主”到活泼“图文并重”的观念升级；从个人“总编”负责制到专业“图片编辑”全权制的体制转移。与此同时,本文从中国新闻摄影新时期的多重动因和历史价值入手,试图揭示出繁复多变的新闻摄影变革背后所蕴藏的深刻历史规律,以期对新时期的中国的新闻摄影做出正确的历史评价。
[Abstract]:After the end of the Cultural Revolution in 1976, Chinese society entered a dramatic transition period. This transformation is reflected in economic, political, cultural and educational aspects. News photography, as a modern media, also takes an active part in this profound and broad social transformation. In the era of "standard discussion", the journalistic photography industry in our country began to respect the law of news photography after experiencing a history of photography with "red, light, light", "high, big, and complete" at the behest of directors who violated the laws of news photography. Speaking with fact and image, pursuing the great change of authenticity and information quantity and "picture and text, both wings fly together", whether it is photo quality, ideological understanding, or organization construction are all new. This mainly reflects the following aspects: the position of the news photography department in the newspaper's organizational structure and the composition of its personnel, the orientation of news photos and photographic reports in the collection and editing business, As a whole, the transformation from "propaganda photography" to "reporting photography" has been completed. Based on the historical background of dramatic changes in the field of photography, this paper probes into the historical environment and specific characteristics of Chinese news photography in the new period from the vertical and horizontal aspects. At the beginning of the paper, the author goes deep into the historical details, summarizes the causes of the news photography reform in the new period, and reveals their influence on the track of the news photography reform in the new period through the analysis. From four aspects of the theory, practice, concept and system of Chinese news photography, the main body of the paper examines the characteristics of the modern revolution of Chinese news photography in the new period, that is, from the single "propaganda photography" to the practice change of "multi-reporting photography"; From superficial "direct illustrations" to profound "human-oriented research", the concept of "writing mainly" to "lively" is upgraded, and the system transfer from individual "editor-in-chief" responsibility system to "professional" picture editing "system. At the same time, this paper tries to reveal the profound historical law behind the complicated and changeable news photography reform from the perspective of the multi-motivation and historical value of the new era of Chinese news photography. With a view to the new era of Chinese news photography to make a correct historical evaluation.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J419.1

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