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自拍,一种互联网时期的青少年亚文化——从自我凝视、数字造颜到脸谱共同体

发布时间:2018-08-23 19:22
【摘要】:与西方的自拍史相比,中国的自拍史是断层的、交叉的、突变的,其动态演进范围主要集中在1996年数码相机进入中国市场和互联网登录中国之后的时间段。随着手机拍摄功能和互联网技术的发展,自拍的主要受众越来越多地分布在青少年人群中,自拍也由最初镜像式的生活现场记录发展到社交媒体自画像的数字造颜,进而演化为群体凝视下的信息资本,实质上是视觉消费从边缘到中心的深入过程。这种视觉消费生成了一个脸谱共同体,自拍作为一项大众文化实践,不再是粗糙的感官消费和简单的时间切割,它进行了一轮又一轮的空间转向,现实生活的时间留存延异成虚拟空间的身体政治。
[Abstract]:Compared with the history of selfie in the West, the history of selfie in China is faulted, intersecting and abrupt. Its dynamic evolution range is mainly focused on the period after the digital camera entered the Chinese market and the Internet entered China in 1996. With the development of mobile phone shooting function and Internet technology, the main audience of selfie is more and more distributed among teenagers. Selfie has also developed from the original mirrored life scene record to the digital appearance of social media self-portrait. And then it evolves into the information capital under group gaze, which is essentially the deep process of visual consumption from edge to center. This kind of visual consumption creates a Facebook community, selfie as a popular cultural practice, no longer rough sensory consumption and simple time cutting, it goes through a round of space turns. The time of real life remains the body politics that devolves into virtual space.
【作者单位】: 暨南大学;网易LOFTcam;腾讯原创馆;
【分类号】:J405


本文编号:2199674

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