对当代摄影中自拍肖像的解析

发布时间：2018-09-14 18:38

【摘要】：本篇论文主要探讨当代摄影中的自拍肖像摄影。从19世纪40年代开始，自拍肖像摄影的历史已接近200年，而今自拍肖像摄影作为一种常见的摄影类型，成为众多艺术家所使用的创作形式。本文从自拍肖像摄影的历史开始入手对自拍肖像摄影的类型加以分类并针对具体案例进行解读和理论分析，勾勒出一部自拍肖像摄影的简史。试图找出肖像摄影作为自我映现的过程背后的拍摄意图和心理原因。分析在看似一致的自拍肖像摄影类型中不同的拍摄原因和文化心理。最后得出当代自拍肖像摄影中这个“自我”的多面性和不确定性。面对当代摄影中广泛的自拍现象，本文是针对艺术家这个特定群体所进行的自拍做出研究，区别于现代社会所大量流行的广义的自拍照。本论文共分为四个部分，第一章着眼于议题中“对当代摄影中自拍肖像的解析”的关键词和所处大背景的定义和解释，从绘画史的角度引出从自画像中走出的自拍照，从摄影史角度阐述自拍肖像摄影的历史和发展脉络。第二章立论研究自拍肖像摄影创作类型，结合艺术家的创作案例分析把自拍肖像摄影分为了自传、身体、角色扮演三个类型，针对三种类型中的具体案例进行解读以分析自拍肖像表达意图。第三章立论研究为什么要用摄影这种媒介来拍摄自己：反思拍照，从摄影师和相机的特殊关系、照片作为镜像的映现来做出分析。第四章着眼于自拍肖像背后的心理分析，从摄影中视觉的无意识性、艺术家的自恋、自我心理、摄影直面拍摄自己的治愈功能来分析。最后得出结论，，在当代摄影中，自拍肖像中的“自我”是艺术家自我述说自我关注的表达，是普遍存在的，但其概念又是流动的带有解构性的。
[Abstract]:This paper focuses on self-portrait photography in contemporary photography. Since the 1840s, the history of selfie portraits has been close to 200 years. Nowadays, selfie portraits, as a common type of photography, have become the creative forms used by many artists. Starting from the history of selfie portraits, this paper classifies the types of selfie portraits and analyzes the specific cases in order to outline a brief history of selfie portraits. This paper attempts to find out the intention and psychological reasons behind portrait photography as a process of self-mapping. To analyze the different reasons and cultural psychology in the seemingly consistent type of self-portrait photography. Finally, the author draws the conclusion that the self in contemporary self-portrait photography is multi-faceted and uncertain. In the face of the extensive selfie phenomenon in contemporary photography, this paper focuses on the selfie of artists, which is different from the broad selfie popular in modern society. This thesis is divided into four parts. The first chapter focuses on the definition and interpretation of the key words and background in the topic of "Analysis of selfie Portrait in Contemporary Photography", which leads to the selfie taken out of the self-portrait from the perspective of the history of painting. From the perspective of photography history, the history and development of selfie portraits are described. The second chapter discusses the types of selfie portrait photography, combining with the artist's case study, the selfie portrait photography is divided into three types: autobiography, body and role playing. In order to analyze the intention of the self-portrait, we analyze the concrete cases of the three types. The third chapter focuses on why we should use photography as a medium to shoot ourselves: reflection photography, from the special relationship between the photographer and the camera, photographs as the reflection of the mirror image to make an analysis. The fourth chapter focuses on the psychoanalysis behind the portrait of selfie, from the visual unconsciousness of photography, the artist's narcissism, self-psychology, photography to shoot their own healing function. Finally, it is concluded that in contemporary photography, the "ego" in the portrait of selfie is the expression of the artist's self-narration and self-concern, which is universal, but its concept is fluid and deconstructed.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J413

【共引文献】